The Toronto based Numbers were a straight-up power pop quartet that released their one and only album, Add Up at the crest of that genre’s movement in the late-70s/early 80. Arguably, their moniker was accurate, in that their approach was pretty much by…well, the numbers. Not withstanding their lack of innovation, they delivered an excellent batch of tunes, with the emphasis particularly on the jagged lead-off cut, “Sideways Elevator,” which was also released as a single. Elsewhere on Add Up, The Numbers proved they could go head to head with such contemporaries as The Records and Plimsouls, evidenced by the sublime jangle of “Leave It To Me,” and “Can’t Take It.”
A good summation of the Numbers brief career can be found at Canoe’s Canadian encyclopedia of music here . I have also included the text of it below:
Coleman York (drums, backing vocals)
Jim Kennedy (rhythm guitar, backing vocals)
Ed Blocki (lead vocals, bass guitar)
Peter Evans (lead vocals, lead/rhythm guitar, keyboards)
Colin "Archie" Gerrard (keyboards vocals; replaced Kennedy 1980)
With Canadian record label Attic Records always on the cutting edge of new, innovative ways of developing talent while keeping costs low, they hit on the idea of a no-frills label called Basement Records. Their first signing was Toronto act, The Numbers, in 1979. The band went into the Soundstage studios in Toronto in October of that year with Jack Richardson's son Garth Richardson producing.
Attic co-owner Tom Williams wanted the Numbers to be the first album released in 1980 so, at 9:00 AM on New Year's day, key radio music directors and journalists were sent a copy of the album 'Add Up' to their homes along with a Bloody Caesar alcoholic beverage. The ploy worked as The Numbers received a bit of activity with the first single, "Sideways Elevator", but when it came time to follow that up with a second album the band demanded a larger production defeating the ability for Basement Records to live up to its mandate. As a result the band made a deal to re-sign with Attic Records under the new name Hot Tip (whereby Jim Kennedy was replaced by keyboardist Colin Gerrard). Unfortunately, the band broke up shortly after its two singles could be released in 1981. With notes from Kevin Shea and Michael Coxe.
01. Sideways Elevator
02. Sunday Afternoon
03. Out to You
04. BIts & Pieces
05. Can't Take It
06. Leave it to Me
07. Mr. Dempster
08. Won't You Call
09. She's Got Everything
10. Get Away