Thursday, January 31, 2019
V/A - Nobody Gets on the Guest List! (1984, Throbbing Lobster)
There's a host of other phenomenal acts not present on Guest List that also recorded for the label - Primitons, Outlets, O Positive and Cowboy Mouth. Browse a listing of Throbbing Lobsters catalog over at Discogs if you get the chance, and if you really dig what you hear on this disk, original copies of this record may still be available for purchase.
01. The Flies - In the Dark
02. Underachievers - I'll Be There For You
03. The Hopelessly Obscure - She's My Best Bette
04. The Prime Movers - Matter of Time
05. Christmas - Our Mutual Friend
06. Wild Kingdom - The Way to Love
07. 21-645 - Red Red
08. The Turbines - I Get Excited
09. Classic Ruins - Let's Get Dull
10. Johnny & the Jumper Cables - Not Your Kind
11. Chain Link Fence - The Happening
12. Holy Cow - Zucchini Dance
13. Noise Pencil - Weirton, West Virginia
14. Baby's Arm - I'm a Wimp
Hear
Sunday, January 27, 2019
Looking back it's just reflection, it's just something else to do...
The latter part of this '80s band's discography. A unique and invigorating take on punk with intermittent assaults of funk, plus a few choice anomalies that I never, ever tire of. There's 31 songs on this sucker, so check out the comments for a few suggested cuts to get you started.**Please do not reveal artist in comments!**
Van Duren - Waiting: The Van Duren Story Orignal Docuemntary Soundtrack (2019, Omnivore) - a brief review
Aside from some screenings in Memphis in late 2018, the movie hasn't seen widespread release (though that should be on the horizon). I can't speak to how Van Duren's life, or even certain pivotal events inspired his songs, simply because that history isn't available to me, at least not in full. This critique will focus on the music itself, and luckily, if you're at all piqued about the topic at hand the perfect gateway awaits you in the form of this soundtrack.
Van Duren put down roots in the Memphis music community in the mid-70s, ingratiating himself with the Ardent Records crowd, though he never recorded for the label. He was however a collaborator with two alum from one of Ardent's most renown stablemates, Big Star. I'm not privy to whether how much (or if any) historical evidence exists to show for it, but circa 1976 Van Duren was in cahoots with a post-Star Chris Bell and Jody Stephens in a presumably short-lived local outfit, the Baker Street Regulars. They haven't been heard from since. Big Star's shadow was barely beginning to loom, but if Alex Chilton & Co. were merely a whisper in the 70s, Duren was a veritable ghost. By and large that's how it would stay. For shame Van Duren, and Are You Serious? was such a carefully guarded secret, because as a budding popsmith he was busting out tunes in the mold of McCartney, Rundgren, Emitt Rhodes and Eric Carmen. He may not have possessed the angsty, soul-bearing tumult of Big Star, but Serious' "Grow Yourself Up," "Positive" and the subdued "Waiting" were piano-laden confessionals that skipped many a poignant stone in spite of grazing such topically familiar waters. Van Duren may have possessed the acumen of his peers, but the all-crucial "big break" never materialized. At one point he was even taken under the wing of Rolling Stones manager Andrew Oldham, but success was ultimately elusive. A subsequent record in 1979, Idiot Optimism was shelved and didn't see the light of day until 1999...as a scarce Japanese import no less.
The '80s was Duren's last genuine gambit to thrust himself out of the woodwork, this time in the guise of a fully amplified, radio-gunning power-pop combo, Good Question, whose lone record (and a fantastic one at that) Thin Disguise I featured on these pages some time ago. It didn't chart but it contained what would become one of his signature pieces, "Jane."
The soundtrack for Waiting offers an ace cross section of Van Duren's career, underexposed as it's been heretofore. There's a smattering of material from his two solo records, two representative cuts from Good Question, and even some live and unreleased offerings. One major highlight for Big Star devotees is a cover of Chris Bell's "Make a Scene," a tune posthumously released on Bell's I Am the Cosmos album. Waiting will be available physically from Omnivore Recordings on February 1st, as well as from iTunes and Amazon. To keep abreast of widescale release of the movie, please check Waiting's website periodically.
Saturday, January 26, 2019
Motor Home 7" (1994, Dirt)
Yet another substantial indie rock proposition from the '90s that passed me by at the time. Motor Home (which I've also seen spelled as a single word) were a trio of co-ed Chicago kids who were adeptly in tune with the aesthetic of the time. Side A, "Whole In My Head" is female fronted, wielding a comparatively mellow, but dynamic vibe sporting shades of the Spinanes and early Lilys, but not overly derivative of either. The flip, "Sugarlow" is considerably noisome and aggro, pounded out with the fuzzy, distortion-addled fury of contemporaries Monsterland, taking a good five and a half minutes to finish off the listener's sizzled nerves. The packaging for this one was unique and went way above and beyond what's normally expected with your typical pic sleeve 45. Motor Home were also responsible for an album around the same era that I anticipate getting my hands and ears around soon.A. Whole in My Head
B. Sugarlow
Hear
Thursday, January 24, 2019
Popdefect - Playing for Time ep (1983, Heart Murmur)
01. Perfectionist (Can't He See)
02. Never Have the Time
03. Speak Your Mind
04. Can't Catch Up
05. No Purple Heart
06. untitled instrumental
Hear
Tuesday, January 22, 2019
Teenage Fanclub/Viva Saturn flexi (1992) - Re-rip, re-up.
01. Teenage Fanclub - Everybody's Fool (Cleveland, OH 2-29-92)
02. Viva Saturn - Black Cloud
MP3 or FLAC
Sunday, January 20, 2019
It's the smiling on the package, it's the faces in the sand...
**Please do not reveal artist in comments!**
Kitchens of Distinction - Drive That Fast ep (1990, One Little Indian)
So, what's stopped me from posting anything from Kitchens of Distinction? This probably has to do with the fact that most of their catalog is still available - but then I remembered...b-sides. Truthfully, I'm sharing this for the a-side, the sublime "Drive That Fast," which had me enamored from the word go, almost thirty some years ago now. Alongside Swervedriver's "Mustang Ford," The Kitchens brought the car song to dream-pop, though I would venture to guess neither band had that particular end in mind. Patrick Fitzgerald's caterwaul/croon gracefully sits atop a bed of Julian Swales atmospheric, chiming guitars, sounding nothing short of ripped from a primo Cocteau Twins record. In fact, nothing off the band's subsequent LP, Strange Free World could quite rival it, but nonetheless manages to stand as their finest hour. "These Drinkers" pursues a similar sonic template, albeit Fitzgerald is content to talk (not rap) on this one, and he doesn't show up on the mic at all for the long-winded but pleasant instrumental "Three to Beam Up." "Elephantiny" is a starker piano-laden piece, recalling what I loved so much about those Epic Soundtracks solo records. The Kitchens washed their final load of dishes in 1996, but reemerged in 2013 for a reunion record, Folly.
01. Drive That Fast (7" edit)
02. These Drinkers
03. Elephantiny
04. Three to Beam Up
Hear
Friday, January 18, 2019
Dole - The Speed of Hope (1986, Play It Again Sam)
Dole still perform in Europe, sans some of the original members. And they have a new live album set to drop any moment know. You can read some postings relating to that on their Facebook page, and further audio/visual goodies are available on their site linked above. BTW, this album had no less than three different album jackets in circulation, so I appreciate you like the variation I've fitted you with. On a final note, this rip was taking from a defiantly crackly slab of vinyl that I was barely able to clean up, however the TSoH saw a very brief reissue on CD in the mid-90s, so with any luck I'll have a more pristine version to share in the future.
01. Slumberland
02. The Dream
03. Maybe Tomorrow
04. I Say
05. Rumroad
06. A Day
07. Third Man
08. Satellite
Hear
Sunday, January 13, 2019
Makes the earth toss and tumble...
Saturday, January 12, 2019
Eleventh Dream Day - Nuernberg, Germany 3/14/90
01. Intro - Liz Beth
02. Between Here and There
03. Love to Hate to Love
04. Testify
05. Tranatula
06. Bagdad's Last Ride
07. Among the pines
08. Merciless
09. Watching the Candles Burn
10. Michael Dunne (fade out)
11. Teenage Pin Queen
12. Awake I Lie
13. Go!
14. The Death of Albert C. Sampson
15. title unknown - outro
MP3 (320 kbps) or FLAC
Friday, January 11, 2019
Beggar Weeds - Sure Pants Alot ep (1988, Junior Highness)
01. All I Need
02. Skinny
03. Harry Lee
04. Graduating
05. Churchin'
Hear
Wednesday, January 9, 2019
Rods and Cones - s/t ep (1985, Oh Stu!)
Not to be confused withe the Boston band of the same (coincidentally featured here a few years ago) the Rods and Cones I'm sharing today were a more economical three-piece set up, situated in the less urban locale of Bloomington, IN. Guitar pop with varying dosages of power was their calling card and they played it capably, if perhaps half a step or two shy of the mainstream. Their approach was plenty accessible, but thankfully not as gaudily decked out as the drivel that say, Huey Lewis and his dudes were crapping out around the same time. The Rods thing was more in league with Tommy Tutone and later Knack. "Hypnotize Women" and "Useless Knowledge" were cheeky riff-rockers with ample bite, bearing enough commercial prowess to land on AOR playlists of the day...though I'm not sure if that scenario ever came to fruition. Rods and Cones winds things down with a novel acoustic reading of the Peanuts theme (lazily titled "Charlie Brown") before seguing into one last original. BTW, the band reunites every Christmas for a local performance. Visit the link above to be delivered to their Facebook page for evidence of this.01. Hypnotize Women
02. Getaway
03. What it Takes
04. Useless Knowledge
05. Nine Kinds
06. Charlie Brown/Outta Control
Hear
Sunday, January 6, 2019
Open up your mind, open up your purse...
**Please do not reveal artist in comments!**
Saturday, January 5, 2019
Signal Thirty - Purpose (1987, Hit a Note)
Something has always fascinated me about rural/small town indie rock, maybe because there seems to be so little of it. Signal Thirty, ostensibly hailing from Paducah, KY, could have conveniently chosen to season their ears on such mainstream purveyors of
the day as Def Leppard or John Cougar Mellencamp, but I tend to think
their collective tastes ran a little deeper than the Top-ten. Said to have
been recorded over the course of Memorial Day weekend in '87, Purpose sounds like a dandy way to have killed three days. Varying from twangy, albeit skewed roots rock, to jangly REM-isms, this trio never quite settles on a singular penchant here, yet manages to keep the entire affair structured. Purpose really gets cooking on side two, with brisk keepers like "Wild With Me," "(The Adventures of) Laritasm," and "Some Sweet Day" all exuding verve and zest, not to mention a homegrown aplomb that occasionally floats in the vicinity of what the Meat Puppets had up their sleeves around the same time. Solid stuff. The record ends in somewhat uncharacteristic fashion with a medley of the reverent country ballad "Wings of a Dove" and the theme to Petticoat Junction.01. Long White Sleeve
02. Napalm Luv
03. I Know It's You
04. I See God
05. Misconnected
06. Swimming's Funny
07. Fine Lines
08. Comparison
09. Wild With Me
10. (The Adventures of) Laritasm
11. Life Light (White World)
12. Some Sweet Day
13. Wings of a Dove/Petticoat Junction theme
Hear
Thursday, January 3, 2019
A slight case of underblogging - Best of the blog mix 2018
Given the disparate offerings here, more than a few song-to-song segues may not make for the most logical of transitions, though I've attempted to maintain a semblance of continuity, fractured as it amy sometime seem. Roughly speaking, the first half houses some of the more aggressive selections, while the prettier and more jangly numbers have been corralled in the second. Included are three previously unshared nuggets that until today you never knew you couldn't live without.
01. Cuban Heels - Liberty Hall
02. Private Domain - Burn the Torch
03. Wooden Igloo - Lost Weekend
04. Ten Ten - Giving In
05. Uncalled Four - Set Me Straight
06. The Woodies - Penelope Says
07. Mexican Pets - Stigmata Errata
08. The Red - Promises
09. November Group - Pictures of the Homeland
10. Stark Raving - Too Much to Take
11. Rank Strangers - Target
12. Rockphonics - Lock and Key
13. LMNOP - Like A Diatom*
14. Material Issue - Echo Beach (1986 vers.)
15. The McGuires - Russian Hill
16. Diesel Park West - All The Myths On Sunday (demo)
17. The Lift - Plush With Blonde
18. The Wishniaks - Marcy's Gone
19. The Colours - Somewhere in Between
20. Richard X. Heyman - Hoosier
21. Free Loan Investments - In the Park*
22. The Pterodactyls - Germs
23. Three Leaning Men - Facing
24. Stick Figures - September*
* = previously unshared
Hear
Sunday, December 30, 2018
I know I’m breaking all the rules...
Friday, December 28, 2018
13th Hole - Headache (1992, Rosebud/Barclay)
01. Face
02. Crazy
03. He Is Ill
04. Wave
05. Stand in Line
06. Soft Sound
07. Mr Know All
08. City
09. Mrs. Peel
Hear
Tuesday, December 25, 2018
Sunday, December 23, 2018
Saturday, December 22, 2018
Sport of Kings - Sing Mary Sing (1982, Thermidor)
01. So Easy
02. A Wonderful Time
03. Dark Clouds Moving
04. I See Only You
05. Under the Same Blue Sky
06. Sing Mary Sing
07. Rich
08. Reminisce
09. We Never Fail
Hear
Wednesday, December 19, 2018
Starlight Conspiracy - Sounds Like a Silver Holler (1996, Catapult)
Crunchy and often shoegazer-y indie rock this way came from the presumably long defunct Starlight Conspiracy. Apparently hailing from New England (Mass or Vermont I wanna say) this co-ed quartet featured Jan Tofferi, largely dominating on vocals. Bearing a raw, mid-fi aptitude the Conspiracy had an unwieldy grip on dynamics and an even better handle on distortion. Downcast but never despondent the band's serious tenor was more substance than angsty theatrics. Silver Holler is Vaguely analogous to early Velocity Girl, especially on the more melodic bits like "She Waits," and "Just Heavier Words." Kind of wish they stuck around for another record or two.01. She Waits
02. Don't Leave the Stage
03. Silver Holler
04. Just Heavier Words
05. Switching Lines
06. Airlock
07. Anomaly
08. Calgon
09. Anchored
10. Earth Prime
Hear
Sunday, December 16, 2018
If I could change anything I would change everything.
Saturday, December 15, 2018
V/A - Something's Gone Wrong Again - The Buzzcocks Covers Compilation (1992, C/Z)
Thought this would tie in well with recent events, not to mention what I posted a couple nights back. This was an easy sell for me back in '92. First and foremost because it was a Buzzcocks tribute, but almost as appealing was the inclusion of no less than five of my top-tier faves, Big Drill Car, The Doughboys, The Fluid, Didjits and Naked Raygun. Back then I would've purchased a compilation if it featured any one of them, even if this had been a Patsy Cline tribute. Overall, Something's Gone Wrong Again is a par for the course covers comp with a few really ill advised choices balancing out the smarter ones. Of the aforementioned participants, the Doughboys and Didjits take the cake, especially the latter, whose spin on "Sitting Round at Home" smoked the Gorilla Biscuits' rendition from just a few years before. Electric Love Hogs convey "Boredom" with a Melvins-y thrust, Alice Donut taking on "E.S.P." is a logical pairing, and Raygun do more than adequate justice to the Buzzcocks anthem that never quite became one, "Running Free." The Accüsed and Deadspot butcher their allotted slots disgracefully, and the Larry King soundbites on Porn Orchard's reading of "Why Can't I Touch It?" are nothing short of pathetic. Some other good candidates for this album might have been Superchunk, The Figgs, and perhaps even pre-stardom Green Day...but of course, I had no say in such matters. Fourteen tracks. Hope your favorite is here.01-Doughboys - Why She's A Girl From The Chainstore
02-The Fluid - Oh, Shit
03-Coffin Break - What Do I Get?
04-Didjits - Sitting Round At Home
05-Electric Love Hogs - Boredom
06-Deadspot - Orgasm Addict
07-Lunachicks - Noise Annoys~Promises
08-Big Drill Car - I Don't Mind
09-Porn Orchard - Why Can't I Touch It?
10-The Accüsed - Lipstick
11-Alice Donut - E.S.P
12-Naked Raygun - Love Battery
13-Naked Raygun - Running Free
14-Dose - Everybody's Happy Nowadays
Hear
Thursday, December 13, 2018
Buzzcocks - Many (random) parts (1978-2006). R.I.P. Pete Shelley.
News none of us were quite expecting went out late last week announcing Pete Shelley, frontman for the Buzzcocks (and a solo artist in how own right circa the mid-80s) had died suddenly of a heart attack at 63. The Buzzcocks initial 1977-81 lifespan was superseded many, many times over since the band reconvened in 1989, and it seemed like they might have well gone on for another ten years or so. Whether they were the founders of "pop-punk," as it were, or not, they certainly had the biggest hand in stirring that much coveted and ultimately lucrative kettle. Arguably more influential than even the Sex Pistols, certainly hundreds of punters that followed in the Buzzcocks wake professed to be inspired by them, but how many genuinely sounded like Pete Shelley, Steve Diggle and Co.? Heck, I couldn't even name a Buzzcocks imitator if you put a gun to my head. Shelley had a singular voice, and a plaintive yet distinctive songwriting acumen to match. Utterly irreplaceable. Luckily, they toured so extensively most fans were at least able to catch a concert or two. Can't really say that about the Pistols, or even the Clash for that matter.
I've dedicated space to multiple live Buzzcocks collections, and even a batch of demos circa 1991, so instead of rehashing too much, I've got a mini-bundle of predominantly off the beaten path goodies, including radio sessions from 2003 and 2006, contemporary to the Buzzcocks and Flat-Pack Philosophy albums. The emphasis on both of them was then-new material, but you'll find one vintage chestnut in each folder. Then there's 1991's somewhat under-released, but relatively findable Alive Tonight ep with the reunited band not treading familiar territory, rather delving into promising new sonic tiers without compromising what made them quintessentially Buzzcocks, And I suppose I couldn't get away without offering something in the live realm, specifically their 1978 Lyceum performance in London, as included in the now out-of-print Product box set. It's only eight songs, meaning the band had an exceedingly brief set that night, or EMI records was being stingy with said retrospective. And there's a couple of even more random one-offs including an unspeakably rare live tack of "Paradise," and a 1990 performance of a dandy tune titled "Wallpaper World," which evidently never found it's way into the studio.
Ya done good Mr. Shelley. The gratitude is endless from my little corner of the world, and I'm sure many others.
2003 Peel Session
01. Driving You Insane
02. Certain Move
03. Lester Sands
04. Peel chatter
05. Jerk
Mark Radcliff Session 3/15/06
01. interview
02. Flat-Pack Philosophy
03. interview
04. interview
05. Soul Survivor
06. interview
07. Love You More
Alive Tonight ep (1991, Planet Pacific)
01. Alive Tonight
02. Serious Crime
03. Last to Know
04. Successful Street
Live at the Lyceum, London 3-10-78 (from Product box set)
01. Breakdown
02. Fast Cars
03. Noise Annoys
04. Moving Away From The Pulsebeat
05. Fiction Romance
06. What Do I Get?
07. Whatever Happened To?
08. Time's Up
















