Supermarket lights burn in the darkness...

Im spoiling you this week.  This is a two CD set compiling a healthy number of this UK band's b-sides, neglected album tracks, and alternate versions of more renown singles and such.  Have at it. 

**Please do not reveal artist in comments!**

Hear

Victorian Parents - Silence Follows (1981)

I usually save most of my revelatory finds for the end of the year, but what the hell.  And a major label release (Polydor) no less, but unless you snatched up Victorian Parents' Silence Follows as as an assumedly pricy import, this would have flown well below your proverbial radar.  Not only has it not been reissued since it's 1981 release, so far as I can tell this band has yet to be anthologized on any of the myriad of Cherry Red Records post-punk compilations that have cropped up in the last decade or so. Save for a YouTube digitization, Silence Follows hasn't made a showing on any of the usual streaming outlets, nor have any of it's songs made it into the sharity blogosphere.  Whomever saw the need to kill off the memory of this band was a bit too thorough, if you don't mind me venting.

Hailing from Lichfield, England, V/P's modus operandi was very much in league with contemporaries, The Sound, Modern Eon and Comsat Angels, especially the latter.  The quartet boasted both depth and artful tangents, while remaining almost wholly approachable, albeit there weren't many obvious hits or singles here - even for the one track that actually was appointed for 45 status, "All American Hero." At the end of the day, Silence Follows is still unmistakably steeped in post-punk affectations, minus any excessively droney ambience. C.S. Angels comparisons are inevitable on this album's most proficient offerings, "Uncommunique" and "No Response," but again, that band was a contemporary to V/P, so it's not very logical to cite them as a legit "influence," per se. Perhaps not through-and-through brilliant, Silence... is considerably effective, not to mention well above average, and far more deserving of the dim spotlight it enjoyed when the Parents were extant.  Yes, there were surrounding singles, but I'm not in possession of anything else by them.  I am however making this available in both MP3 and FLAC.

01. All American Hero

02. On the Border

03. Self-indulgence

04. Dead Red Grass of Home

05. Uncommunique

06. No Response

07. Wasteland

08. My Advantage

09. Endless Wire

MP3  or  FLAC

An unpredicted ends to a means...

From 2004.  Picking up on morsels of everyone from Nada Surf to Creeper Lagoon and even Mercury Rev. Enjoy

**Please do not reveal artist in comments!*

Medelicious - Miss N 7" (1994, Lucky)

Not as egregiously grungy as many of their counterparts due south in Seattle, Bellingham, WA's Medelicious were still a mightily noisy aggregation wielding copious amounts of angsty amperage and distortion.  This 45's A-side "Miss N" isn't far removed from Up In It-era Afghan Whigs, but I'm more partial to the flip, "Hands," which mines a vaguely more tuneful indie-rock vein. Not Sebadoh or Superchunk mind you, Medelicious nonetheless bore a considerable quotient of potential...and regrettably never got around to issuing a full length. 

A. Miss N

B. Hands

Hear

Autumn Teen Sound - demo (1995)

Just as I was about to drop the "cold case" tag on this Phoenix-area foursome I discovered they have a Facebook page.  Sounding heavily indebted to another band they shared the same area code with (Gin Blossoms), Autumn Teen Sound may not have been the stuff of innovation, but in terms of sheer songcraft they really had something. "My Star" goes down delightfully easy, coincidentally not unlike the tune of the same moniker by Gameface, and the remaining cuts easily slot between the Blossoms and what Michael Penn was dishing out around the same time.  ATS shared bills with the Plimsouls and Joey's Molland's Badfinger before rechristening themselves as Sugar High.

01. My Star

02. 100 Years to Love You

03. Juliana No

Hear

Too many holes in your story, jeans alright.

This week it's four eps spanning three decades.

**Please do not reveal artist in comments!**

Hear
 

The Charlottes - Lovehappy+ (1989/2020, Radiation)

Typically on Record Store Day I share something released on a prior RSD, but I'm quickly run out of "safe" items to post, simply because most titles released on the most agonizing Saturday morning of every April are alternate pressings of records still in print. Either that or a lot of "new" titles subsequently get a proper release outside of RSD.  The Charlottes' Lovehappy saw the light of day in 2020 in a limited pressing of 500 pieces, and I don't believe it's been available since.  

For the longest time my only familiarity with the Petra Roddis-fronted quartet from Cambridgeshire, England was the single "Liar," but oh what an utterly phenomenal tune! The Charlottes stitched the scuzzy distortion of the Jesus and Mary Chain and early Primal Scream together with the immediacy of the Primitives, and increasingly laced their concoction in a woozy dream-pop gauze. They didn't consistently live up to this lofty proposition on their debut mini-ep, the hit or miss Lovehappy, which often resembles shambolic demos, though there are genuine glints of potential on "Keep Me Down" and "See the Danger Shine."  Radiation Record's reissue tacks on two Charlottes' follow-up eps from 1990, the aforementioned Liar and Love in the Emptiness, which finds them leaning into the fainter semblances of shoegaze hinted at on Lovehappy, yielding inspired downer indie-rock in the guise of "Blue" and "Could There Ever Be."  Their spin on Shocking Blue's "Venus" is faithful to the original yet more stimulating than I had imagined. The hype sticker on the sleeve states all of the material presented has been remastered, but the audio here strikes me as a bit muddy, and quite frankly mono, measured up to the original records they're derived from. Who knows.  At any rate, enjoy.  

01. Are You Happy

02. Cold

03. Keep Me Down

04. Stubborn

05. See the Danger Shine

06. Everything to Me

07. In My Hair

08. Love Happy

09. Liar

10. Blue

11. Venus

12. Love in the Emptiness

13. Be My Release

14. Could There Ever Be

Hear

I'm not here if someone calls, unless it's from apartment 3...

From 1998.  I remember being thoroughly immersed and invested in this when it came out.

**Please do not reveal artist in comments!**

Hear

That Hope - Beating the Dumb Guy (1987, FOT)

I had high hopes for That Hope, given the impression they left me with on their debut, Eight Dollar Hat, which I shared way back in '11. I recall it garnering a considerable number of downloads as well, so taken all this into consideration I was ready to be dazzled by this Bloomington, IL quartet's follow up.  The first three songs comprising Beating... certainly don't disappoint, exuding tinctures from the likes of artful, post-punk sophisticates Gang of Four to Pylon, with T/H depositing a spot of their indigenous seasoning into the affair.  Things go downhill soon after with the aimlessly, embarrassing throwaway "Big Sex" clogging up the proceedings for a painful seven minutes.  From there's it's a tossed salad with a somewhat sloppy retread of "I Am the Walrus," to the bouncy and redemptive Pylon-goes-pop shtick of "Comfort Never Looked So Big."  Though not listed on the sleeve or record label, there's a useless segue of a 75-second piece falling between "Space Boys and Love" and "Go About Your Business" that I'm not sure if it's supposed to be it's own individual "song" or rather the outro/intro of the aforementioned tracks. 

01. Looking To Get Their Fill

02. Lounge Lagoon

03. Jeff Matt Joey

04. Big Sex

05. I am the Walrus

06. Space Boys in Love

07. untitled

08. Go About Your Business

09. Cow Gang

10. Comfort Never Looked So Big

11. Love, Need, Attention

Hear

Did your nervous laugh meet mine when I gave a sign?

From 2016.

**Please do not reveal artist in comments!**

Hear
 

Bob Beland 7" (1980, Deli Platters)

Here's a sweet turn-of-the-decade slice of power pop, from an artist I've had minimal acquaintance with but am anxious to hear more from. Bob Beland, got his start in a mid '70s L.A. combo, Southpaw that also featured the soon-to-be higher profile Jules Shear, though I wasn't able to confirm if anything was recorded.  Beland's first bona fide album, Amnesia Lane, wouldn't drop until 1994, but the early '80s saw the release of an ep in 1982, and this 45 two years prior.  The urgent "Stealin' Cars" shifts into punky gear, with a dash of keyboards, and more substantially, an irrepressible hook. "I Can Walk Away" turns a linear power-pop corner, not far removed from Dwight Twilley, or god knows dozens of contemporary unknowns, the kind compiled on ace fan-compiled compilations like Teen Line, etc.  Quality stuff.   

Stealin' Cars

I Can Walk Away

Hear

Bel-Fires - Fall For the Sky ep (1985, Birdcage)

Here's one of my better browsing-in-the-wild finds, though I have little in terms of pertinent details to disclose about the Cynthia Isabella-fronted Bel-Fires.  Sort of what Let's Active might have come up with if they were aiming for the middle of the radio dial.  Melodic as all-get-out too, with this record's bookends "Fame For a Dime" and "Letter" wafting sky-high into the atmosphere.  Fall for the Sky ever so vaguely suggests what likeminded combos the Hummingbirds and the Millions would have in store for us in just a few years.  Looking forward to checking out the Bel-Airs subsequent '88 platter, What You Need, sometime in the not-too-distant future. 

01. Fame For a Dime

02. Anonymous

03. Fall For the Sky

04. Not For Me

05. Letter

Hear

Taking time, writing out the dates all our friends die.

From 2010. Springtime is upon us, but this is truly a band for all seasons.  

**Please do not reveal artist in comments!**

Hear

Paper Route - Go Get It (1997, SSG)

Was under the weather this week, and was unable to digitize any analogue goodies for you, bur in lieu of that I have this sterling nugget.  A friend tipped me off to the Paper Route well over a decade ago, but after much sleuthing I only found their cd in recent years.  Hailing from either Ontario or Quebec (big difference to be honest), this trio stick to the basics - guitar, bass and drums but how they wield them is their secret sauce.  Frontman (Simon Nixon) whose timbre slots somewhere between Eric Bachmann (Archers of Loaf/Crooked Fingers) and Elvis Costello guides his threesome through a relentless passel of bratty, power-pop zingers, bearing a scuzzy indie rock underbite, not to mention more sophistication than I was ever expecting.  Virtually nothing useful about Paper Route exists online, so if any of you have any basic details, fire away in the comments.  Cheers.

01. Where Will it Go

02. Can't Be Satisfied

03. Clean Me Soapy

04. Reservoir/Altamont Speedway Revisited

05. Children of the Revolution 

06. Come Around

07. Countdown/Jeanine

08. Saved by Video

09. Dead Horse

10. No Life

11. Polaroid

12. TV Screens/Want to Get High

Hear

Remember, competition is necessity...

An archival trove of recordings from a neglected Ohio power pop outfit that only released a single in the mid '80s.  

**Please do not reveal artist in comments!**

Hear

Big Home Orchestra - Fairytale ep (1989, BHP)

Employing a full-time violinist, this Aussie bunch exude heavy pastoral vibes if anything else.  I wasn't sure what I was getting myself into when I encountered Big Home Orchestra, just not quite what Fairytale had in store. It's about as "folk" as say, the Proclaimers, but thankfully not nearly as precious or aggravating.  They're adept and polished performers for sure, it's merely a matter if you're game for the lilt they opt to finagle with.  One striking anomaly is the concluding "Goodbye," structured around a more guitar-centric motif, that's not terribly far removed from the Go-Betweens, and is stimulating enough to beg repeat listening.  

01. Kingdom of Rain

02. As Long as a Heart

03. New Horizons

04. Poison and Thunder

05. Dark Star

06. Goodbye

Hear

half string - oval 7" -

At some point in 1992 I summoned up the misguided notion I could count all of the shoegazer/dream pop bands in the world on my fingers and toes.  Turns out I was off by several extremities. Deeper into the '90s as the movement seemed to wane I was stunned by the sheer depth and breadth of what still existed, and of course, the number of bands that had passed that I was belatedly becoming acquainted with.  Arizona's half string were one such later discovery.  Not necessarily bringing anything out of whole cloth to the table, h/s took a more subtle approach, mirroring the melancholic, contemplative hues of Springhouse and early Moose, never nailing you over the head with anything too sonically dense of engulfing.  This is ripped straight from my 45 with plenty of surface noise intact.  Unblemished versions of these songs can be had easily enough on the 2012 reissue compendium, Maps for Sleep.  

a. oval

b. sun less sea

hear

We're just two deep space lovers and this feels alright...

Chilled out grooves from 2012.  A recent favorite of mine.

**Please do not reveal artist in comments!**

Hear
 

Dark Side - Rumors in Our Own Time, Legends in Our Own Room (1980, Gohog)

Though they were once the pride of Towson, MD, I'm not sure if Dark Side were exactly my bag.  Not precisely power pop or punk, this combo definitely strode on the sardonic and livelier side of the moon.  Intermittently peppered with surges of organ and sax, Rumours In Our Own Time, in my opinion satisfies optimally when the fellas flex melodic guitar chops on "Lamented Love" and "Down the Tubes."  Dark Side also sport no shortage of personality, with a highly animated mouthpiece in the guise of David Jarkowski.  The overall effect bears mild resemblances to the Tuff Darts, New York Dolls, The Sweet, and I'm sure you'll be motivated to draw your own conclusions.  This album and a host of additional numbers made it into the digital era in 2005. 

01. #1 Man

02. Lamented Love

03. Good Boy

04. Scared Straight

05. Bondage

06. Nobody's Girl

07. Can't Get Used to It

08. Fun in Nicaragua

09. Back on the Streets

10. Blow it Up!

11. You Should Envy Me

12. Rendezvous

13. Down the Tubes

Hear

We were shaking off the shade from the Missiles of October...

A lo-fi masterclass recorded in 2010, but released two years later after multiple, painstaking revisions.

**Please do not reveal artist in comments!**

Hear

Yazoo Beach - Binge (1993, N-Beat)

Not only have I already introduced you to Yazoo Beach (over a decade ago in fact), I've also enlightened and entertained you with phenomenal music from guitarist Scott Coopwood's prior two bands, The Square Root of Now and Perfect Strangers.  Binge was Yazoo's somewhat belated follow-up to their inviting 1988 debut, The Solace and the Blaze, and is demonstrably more mature. Playing it right down the middle, a la fellow deep south contemporaries Dreams So Real and the Windbreakers, this is guitar pop of the collegiate, "new south" variety offering a bevy of pretty persuasions.  Generally, the R.E.M,-isms are on the downlow, but glints are lovingly apparent on "By the Hand" and "Shades of Solitude," amidst other scattered offerings.  Binge's acoustic traipses, specifically "Islands" and "Heaven Coming Down," fall loosely between the confines of The Moody Blues and Workbook-era Bob Mould, albeit not as engrossing.  Though said to be available on CD, I was only fortunate enough to happen upon a cassette, which is where his rip is derived from.  

01. Last Until Tomorrow

02. By the Hand

03. So Much is Love

04. Caroline

05. Heart So Heavy

06. Heaven Coming Down

07. Shades of Solitude

08. Wooden Horse

09. Piece of Her Mind

10. World Inside Your Heart

11. Islands 

Hear

I’d rather talk some more than look into your eyes.

A compilation capturing the brunt (but not everything) this overlooked C86 proposition put out into the world.  

**Please do not reveal artist in comments!**

Hear

Surgery - Souleater ep (1989, Glitterhouse)

Realistically, I could have shared this one eons ago, but I just kept putting it off.  If someone else out there in blogland got to Souleater before me, I didn't mean to step on you.  Surgery ended just as the internet was about to go mainstream, so details on this New York by-way-of Syracuse foursome aren't exactly plentiful.  Most of their tenure was spent on the noise-mongering Amphetamine Reptile label, which suited the band, who had their collective tentacles steeped in a combustible grunge/punk aesthetic, with trace elements of the soon to be burgeoning stoner rock movement.  Unruly salvos "Dance" and "Brazier" pack a sumptuous degree of sway alongside righteous heaviness, and alone make Souleater veritable required listening.  Not much in the way of pop sensibilities here, but five years in from this ep, Atlantic Records scooped these fellows up, and by then they had an incorporated an often infectious groove-rock slant, outdoing their more renown, albeit lame-o contemporaries the Chili Peppers...however the mainstream was regrettably oblivious.  Surgery called it a day in early '95 upon the sudden illness and passing of frontman Sean McDonnell.   

01. Dance

02. Brazier

03. Goodtime

04. Stupid Chile'

05. Slap

06. Souleater

Hear

Dragstrip - The Heliocentric World of... 7" (1997, American Pop Project)

In what might be the first time I've featured music from a strictly instrumental combo, my working knowledge of Bloomington, IN's Dragstrip largely begins and ends with this single, and not a bad intro at that. Known for their surf bona fides, the band's spin through BÖC's "Don't Fear the Reaper" does traverse through said motif, just not as doggedly as you might assume. There probably isn't one of you reading this that isn't at least partially burned out on this overplayed tune, but it's arpeggiated allure still calls to me on occasion, and I enjoy the context here. The flip, "Sun Ra" a supposed tribute to the jazz titan, could instead pass for the bed of a really enticing Dinosaur Jr. track.  Go figure.

A. Don't Fear the Reaper

B. Sun Ra

Hear

All of the elements are present and tense.

From 2006. 

**Please do not reveal artist in comments!**

Hear

A Few - It's a Wonderful Life (Gark, 1985)

I'm sharing a record titled It's a Wonderful Life, and it ain't even Christmas.  This one did come out forty years ago however, and moreover it was a request that I'm happy to fulfill.  Conducting a web query on A Few was practically a fool's errand, but from what I'm able to glean they hailed from Minneapolis and have one other elusive record to their credit.  This one starts off splendidly enough with a trio of keepers to please the halcyon-era collegiate rock crowd, bleeding hues of everyone from Aztec Camera to R.E.M.  Further in, A Few's footing is less steady, with the rather aimless shouter "Hang Tough," and heck, by the time they kick into "Gas is Gold," they may as well have mutated into a different band altogether. Luckily they recover on the jangly "Best Around," and close things out on a contemplative note by way of the decent enough ballad, "Wandering."   

01. Every World is Hot

02. Ride Halley's Comet

03. Something Wonderful

04. Do You Remember

05. Things Change

06. Hang Tough

07. Gas is Gold

08. You and Me

09. Sail Up to the Moon

10. Best Around

11. My Own Mayhem

12. Wandering

Hear

...and you can make it baby, until you've made you're bed.

 A killer, not to mention concussive, sophomore effort from 1992.

**Please do not reveal artist in comments!**

Hear

The Social Act - Little Sally "O" ep (1988

*Sigh.* Just a damn black and white sticker?  Really? The cherry red colored wax was a sharp move, but I still think a picture sleeve of some sort was warranted.  At any rate, The Social Act features Ellis Clark from Chicago power-pop mavens Epicycle, a band which can trace it's roots to the late '70s.  Though devoid of graphics, the music is a wholly different ball of wax, with the ace A-side, "Little Sally "O" pulling off something akin to Flesh For Lulu with a respectable AOR inflection.  Thoroughly rockin' stuff, with Ellis sporting a vocal aplomb that negotiates a fusion of Robyn Hitchcock and Mick Blood of the Lime Spiders.  The two flip sides, albeit not as crucial are at minimum satisfactory. The band appears to be a going concern, with a statement on their website purporting to them having recorded seven albums, but I'm not certain if all of them saw the light of day.  

A. Little Sally ''O''

B1. Boog-A-Loo

B2. In Your Arms

Hear

The Nines - "Gonna Get a Ring" 7" (1995, Clamarama)

I recall buying this one in a rather large lot of power pop/indie 45s but I only gave it a concerted listen about a week ago.  Not to be confused with jangle-pop wunderkinds of the same namesake from Ontario, Canada, The Nines this post concerns really didn't persist long enough to capture any significant online presence.  Rambunctious, but manicured just enough to keep the proceedings from careening off the rails entirely, this quartet make their case across two brief numbers coming in just under five minutes total.  Nothing artsy here, just potent, power chord-addled rock and rule that aficionados of Redd Kross, Bash & Pop and the Smugglers will eat up faster than Jimmy Chestnut going to town on a platter of chicken wings.  A Nines ep and a full length followed this wax in 1996 and '98, respectively.

A. Gonna Get a Ring

B. My Soul For You

Hear 

I'm chained to your ego and there isn't a key...

Released in 2013, and encompassing material recorded 1981-87, this singles and b-sides compilation superseded that of a similar collection issued seventeen years prior.  

**Please do not reveal artist in comments!**

Hear
 

Secret Science - Pound Out (1981)

I did something this week that I don't think I've done in ages - I broke the cellophane on an unopened 44-year old record. Just think of all that's come and gone in the life of this undisturbed vinyl relic.  But it had to be done if I was to ever hear what Austin's Secret Science were all about, as they're a veritable cold case online with no relevant mentions save for your standard Discogs entry. Their first and only full length, Pound Out, starts out promisingly enough with "Drive My Dreams" a catchy, swaying slice of homegrown synth/guitar rock, with inclinations to Devo, yet not-quite derivative of.  "Filthy Pillows" plays like a more pedestrian Talking Heads outtake, and the penultimate "In the Trenches" bears a sturdy, sobering hue, hinting to what might have developed on subsequent records had S/S stuck it out a bit longer.  Regrettably there's not much happening in-between the aforementioned, with an abundance of meandering, undercooked experiments and notions, merely flowing into one ear and out the proverbial autre.  Nonetheless, I'm still content with my decision to rupture the seal on Pound Out, and give it a whirl or two.  

01. Drive My Dreams

02. Filthy Pillows

03. Shannon is Dead

04. Teenland

05. Dark Continent

06. Dog Dance

07. Twin Jet China

08. Three Minutes

09. It's Only Barbeque

10. In the Trenches

11. Save the World

Hear

I'm mixing the facts around...

An often impeccable sophomore album from '86.

**Please do not reveal artist in comments!**

Hear

Mirrour - Black and White (1984, Windmill)

Yet another one I took a sheer gamble on.  Went into this one expecting something along the lines of Shoes, Rubinoos, heck maybe even the Bay City Rollers.  In the grand scheme of things, Mirrour had sort of a bedroom DIY thing in mind instead, with precious little of the aesthetics I had predicted.  They were certainly situated in the pop/rock realm, but in spite of the serious visages gracing the album jacket this L.A. quartet were a cheeky lot, with no less than two topical numbers ("It's Only School" and "Get the Edge") pertaining to the nature of compulsory education.  "Shattered" is the strongest and catchiest thing Black and White has going for it, yet might have amounted to something more compelling in the hands of a full-fledged power-pop band, which for better or worse Mirrour didn't quite embody.  I should mention both guitars and keys are employed here, the latter to an almost cozy and cutesy effect.  Another feather in their cap would be an Emitt Rhodes production credit...but how would a bunch of teenage '80s kids know Rhodes from a can of paint?  B&W isn't so much a disappointing record as it is an unlikely and anticlimactic one.

There's an above average amount of surface noise on this disk that I did my best to remedy. If it's a blemish-free version you're seeking, in doing my research on Mirrour I learned that an expanded, 40th anniversary version of this exists on streaming outlets including Spotify and Apple Music, along with a host of entirely separate albums by them, though it's not clear when they were recorded.  One would think these other recordings would entail a considerably more mature incarnation of the band, and though I haven't really had the chance to delve in myself it all looks promising. 

01. It's Only School

02. Double talk

03. Shattered

04. Modern Man

05. Shine it On

06. Get the Edge

Hear 

The Hippycrickets - No Shoes, No Shirt, No Dice! tape (1993)

These Atlanta-area denizens took a seemingly unnecessary risk in going with such a hokey moniker, one that doesn't do justice to their overarching potency, but whatever I suppose. Actually, this isn't my first Hippycrickets-centric post, as I shared their 1997 full length, Inconceivable!!! quite some time ago. Submitted for your approval, a 1993 demo of four tunes that would be recalibrated for that album.  "Don't Bother Me" finds the trio in question in an angsty and cantankerous guise. "Margaret Sez" could pass for a primo Material Issue or Cavedogs number, with the sobering "Fall Again," trailing not far behind. 

01. Don't Bother Me

02. Margaret Sez

03. Calling Colleen

04. Fall Again

Hear

Maybe then your glass slippers could leave you to a good nights sleep.

From 2002. A blind bargain bin find that really paid off. 

**Please do not reveal artist in comments!**

Hear

Faith Global - The Same Mistakes (1983, Survival)

Suppose there was an album so impressive that someone named their music blog after it?  In the heyday of the "sharity" blogosphere, there was (and still is) indeed a site that took it's name from the very album I'm offering here.  Faith Global's lone LP, in my opinion, isn't of epochal, ground-shifting caliber, but it's still pretty damn good. Featuring ex-Ultravox (John Foxx era) guitarist Stevie Sheers, F/G were an even more sonically broader proposition, with heavy angularities in the vicinity of early '70s Bowie, Psych Furs, Japan, and more negligibly Gary Numan.  Heck, they even roped in Furs sax-finagler Duncan Kilburn for a few songs, thus fortifying my comparison.  More art-pop than snyth, and thankfully not run-of-the-mill new wave, F/G's arrangements were fairly dense, sophisticated, and downright stirring at times, particularly on the throbbing "Love Seems Lost" and "Hearts and Flowers."  Elsewhere, "Forgotten Man" dabbles with an irresistible funk groove, and the concluding "Facing Facts" emanates shades of "Space Oddity."

As you might imagine, The Same Mistakes blog once featured the album in question, but this rip was taken from my personal copy.  You can read their write-up, however the site's download link expired.  Regrettably, I'm not in possession of Faith Global's preceding 1982 ep, Earth Report.

01. The Same Mistakes

02. Forgotten Man

03. Hearts & Flowers

04. Knowing the Way

05. Love Seems Lost

06. Coded World

07. Yayo

08. Slaves to This

09. Facing Facts

Hear

People breaking the law just to make ends meet.

From 1993.  Was saddened to learn that one of the co-founders of this band left us last week.

**Please do not reveal artist in comments!**

Hear

Lime Spiders - Weirdo Libido ep (1987, Zimmer)

"Weirdo Libido" is likely the closest the Lime Spiders ever came to digging into real pay dirt, if only for the fact that the tune was featured on the Young Einstein soundtrack.  It's also a genuinely great number, capably exemplifying Spiders mouthpiece Mick Blood's utterly raspy panache clad to his band's relentlessly pounding garage-punk sway.  "Here With My Girl" ups the frantic ante a notch, regarding what sounds like a potential romantic triangle. If you bought the 45 of this these were the only songs you were served, whereas the 12" ep entailed four more - all live covers fittingly in the band's wheelhouse, including killer takes of Neil Young's Mr. Soul and Love's "My Flash on You."  

And speaking of covers, come to think of it, The Goo Goo Dolls threw their version of the Spider's "Slave Girl" onto their mega-platinum A Boy Named Goo in 1995 thereby earning Blood and his Aussie cohorts a splendid pile of dough (one would hope anyway). 

01. Weirdo Libido

02. Here With My Girl

03. I Was Alone (live)

04. Mr. Soul (live)

05. Time of Day (live)

06. My Flash on You (live)

Hear

Red Letter Day - Released Emotions ep (1986, Quiet)

For a bunch of Brit punks, Red Letter Day weren't particularly obnoxious, but it seems that was hardly their m.o.. I can't quite envision this foursome on the same bill as say, G.B.H., yet this plenty spry ep (and second release overall) vaguely suggests what combos like Mega City Four and Perfect Daze would soon have heating up on the same stovetop. Released Emotions is all I've heard by these folks so far, but their catalog runs significantly deeper, and per their webpage, they're still extant in some form. 

01. Killing Ground

02. So Far Away

03. Spark of Love

04. Tomorrow Today

Hear

Best of the blog mix 2024.

I'm a bit tardy in posting my annual "condensed" adaption of a year's worth of uploads to this page, so I hope you'll forgive me. For better or worse 2024 has come and gone, and not counting Mystery Monday offerings, I only shared about 80-90 titles.  That was largely on par with 2023 and could be the norm going forward.  Not every piece of music emanating from this site is a sheer pearl or revelation, but I like to think that this pared down summation is pretty consistent, and as usual I've inserted a few random morsels exclusive to this playlist (denoted with an *)

Go Man Go's phenomenal "25 Years" is the clear runaway winner in terms of my finest retro score of the last 365 days and is placed at the head of the class.  As for the remaining 21 cuts I have virtually no preference, though the High Bees "Self Indulgence" comes within spitting distance.  Oodles of power pop (and adjacent) is yours for the taking here, be it from House of Pants, Green Ice, or even the little known Crowd who've never made an appearance here prior to this compilation.  There's also succulent post punk entrails emitted from the likes of Rifle Sport, Daddy-O and Mettle.  Plenty of great anomalies as well, but I won't give much else away, except for the last selection courtesy of the Specs, a coed combo featuring a teen Matthew Sweet, who were responsible for merely one original composition, "Look Out Girl (You Need a Direction)."  They made it count. Enjoy. 

01. Go Man Go - 25 Years

02. The Cavedogs - La La La

03. His Boy Elroy - New England

04. House of Pants - Photographs

05. Voices - Out Tonight

06. Flaming Mussolinis - Swallow Glass

07. God's Eye - Back Again

08. High Bees - Self Indulgence

09. British Properties - Eight Days a Week

10. Jules Shear - She's in Love

11. July 14th - Only One

12. Rifle Sport - Bedroom Full of Ice

13. Mettle - Evening Ocean

14. Intro to Airlift - Ed Is On No Side

15. Daddy-O - Run to Hide

16. DCD - A Passage in Time*

17. Tanjent Image - Suranland

18. Windbreakers - So Much

19. Glass Torpedos - Someone Different

20. Crowd, The - Passwords* 

21. Green Ice - Breakdown at Geneva

22. The Act - The Art of Deception

23. The Specs (Matthew Sweet) - Look Out Girl (You Need a Direction)* 

Hear

He just sits and stares.

Post-punk from 1986 that's far more moving than my lyrical clue might portend.

**Please do not reveal artist in comments!**

Hear

XTC - Black Sea demos (1980)

Happy New Year, and welcome to night eight. I was debating what I was going to offer for the finale, and was on the fence about this one, as technically these were actually made available on the 2017 mondo bluray edition of Black Sea.  Well, for starters I don't own that highfalutin version.  Secondly, these files were sourced from a bootleg cassette (with a nominal amount of tape hiss intact).  Finally, it appeared that no one else was sharing this in FLAC, so I figured why not?

Most XTC fans will insist that the band never made an unsatisfactory album, and I can't argue with that at all.  But not all XTC records are equal, and their first two LPs, White Music and Go 2 (both from 1978) simply aren't as revered as those which followed. 1979's Drums and Wires is generally deemed as the beginning (though not necessarily the apex) of their halcyon era, and it's around this time a lot of folks jumped on the Partridge/Moulding wagon, particularly in the States.  

'80s Black Sea was arguably XTC's most consistent salvo to date yielding a pair of genuine signature songs "Generals and Majors" and "Sgt Rock. (is Going to Help Me." While I have no reason to frown on those tunes, I gravitate for deeper album tracks, and "Rocket From a Bottle" and "Don't Lose Your Temple" really quickened my pulse, and maybe a tad less so, "Respectable Street."  So far as I was concerned, there were zero throwaways, and I'll always regard Black Sea as one of XTC's career highlights.  These prototype variations (save for the instrumentals) don't radically deviate from the finished product, but they don't have to be in order to still fascinate. What's more there are three solo Partridge demos of songs that never carried over to the album or it's adjacent b-sides ("Pearl," "Monkeys in Human Skin Suits," and "Holding the Baby") that really might have been rendered into crucial nuggets in the XTC oeuvre had they had been fully fleshed out by the band.  Then again, maybe not, so I'll just let you decide.  Have at it.

01 Living Through Another Cuba [instrumental]

02 Sgt. Rock (Is Going To Help Me)

03 Rocket From A Bottle

04 Towers Of London

05 Smokeless Zone [instrumental]

06 Ban The Bomb [instrumental]

07 No Language In Our Lungs

08 Pearl [Andy Partridge solo]

09 Holding The Baby [Andy Partridge solo]

10 Monkeys In Human Skin Suits [Andy Partridge solo]

11 Burning With Optimism's Flames

12 Paper And Iron (Notes And Coins)

13 Travels In Nihilon

14 Don't Lose Your Temper

15 Respectable Street

16 Generals And Majors

MP3/FLAC