The Toronto trio in question evolved from another TO-area combo Kinetic Ideals, an icy post-punk setup who emphasized keyboards in near equal amounts to guitars. Alan Murrell and Jean-Claude Chambers made the migration from Kinetic Ideals to the considerably more approachable First Man Over adding Patrick Duffy on percussion. FMO ditched the electronics altogether and went straight for the jugular with a more linear but forward thinking agenda wielding a discernible pop overbite. Strummy, jangly and sonically dense FMO skirted between power pop ("Somewhere," "Diamond Mind") and moodier indie rock ("It's Happening," "Umbrella Man"). The album's concluding piece, "Here it Comes" manages to fuse these diverging styles into one, with an extra heavy dollop of melody, and in the process, angles vaguely in the vicinity of what Husker Du had cooking around the same time. Just these eight songs are what consist of the band's oeuvre (or what they managed to release anyway) and even if I don't have anything particularly profound to note about First Man Over I fully endorse what they did in their fleeting lifespan. Feel free to comment if you do as well.
01. Somewhere
02. Sincerely
03. It's Happening
04. Fire Engine
05. Blue
06. Umbrella Man
07. Diamond Mind
08. Now or Never
1 comment:
Oh hey Will...
Just stumbled across this while trying to discern who has hijacked our music for sale on Amazon and Spotify, which recently came to our attention. Delighted that the record had the effect on you that it did. We all feel that this record nailed it (with a lot of thanks to Sturm Group's Tod Cutler, who produced for us). Just an FYI, I (Patrick Duffy) actually joined Kinetic Ideals before we splintered off and formed FMO. There was a posthumous release by Kinetic Ideals EP released by the Dead Wax label (Spain) called This Face. First Man Over also recorded a follow-up to this first mini LP, but it was never released.
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