Sunday, November 17, 2024

Can I not shop around...wait a second please!

From 1997.  The second album by these Aussie wunderkinds. 

**Please do not reveal artist in comments!**

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VA - Rock Turns to Stone (1988, Vild)

Here's one I've been intending to digitize for awhile.  A 36-year old compilation of Boston area bands that's both relatively consistent, and fits in within the overarching context of this site.  Side one is near-perfect, showcasing among other items an early incarnation of the Cavedogs "La La La," eventually rerecorded for their stupendous Joyrides For Shut-Ins album.  I've featured the Blackjacks Basic Blackjacks ep just earlier this year, and their contribution here, "Born Rude" coincidentally or not entails a chorus with a melody much akin to the Heartbreakers "Born to Lose."  The Titanics are another band I've long planned on featuring, but I hope the reverb-laced distortion of "High on Drugs" will tide you over in the meantime.  Screaming Broccoli are another Wilfully Obscure veteran, and "Somebody's Company" extends it's roots in the vicinity of Agent Orange with satisfying aplomb.  The little known Matweeds are straight-up power pop purveyors that I'm motivated to explore further, the Dogmastics are minor Beantown garage rock legends, and Rash of Stabbings turn in the considerably more serious, post-punk tinged "Hear My Call." 

01. The Slaves - Radio Daze
02. The Cavedogs - La La La
03. The Matweeds - Stay
04. The Titanics - High on Drugs
05. The Blackjacks - Born Rude
06. Neutral Nation - T.V. Salvation
07. Dogzilla - Lunch With Ed
08. Screaming Broccoli - Somebody's Company
09. Condo Pygmies - Take Cover
10. Rash of Stabbings - Hear My Call
11. The Dogmatics - Teenage Girls
12. Big Huge - I'm a Suck?!

Sunday, November 10, 2024

Feel the world tapping on my shoulder...

Recordings from 1987-89.  The word impeccable comes to mind.  Don't pass on this!

**Please do not reveal artist in comments!**

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Pavement - Red Asphalt (1993, Bloody Buddies)

This is essentially nothing more than a bootleg of an early-ish Pavement gig circa the spring of '92 (right around the time Slanted and Enchanted hit shelves), and a Peel Session.  Sounds like a soundboard taping, though this really doesn't entail the swanky sonic aesthetics of a 'proper' live album. You can't go wrong with a setlist like this.  Upon finding this I dove right into the unrecognized "She Believes," which actually starts off as "Greenlander," Pave's contribution to the renown Born to Choose compilation. For more fun, make sure to check out another Pavement banger I've been sharing for a good fourteen years now.    

Uptown Lounge, Minneapolis, MN 6/11/92
01. Here
02. Perfume V
03. Frontwards
04. Home
05. Conduit for Sale
06. Summer Babe
07. Texas Never Whispers
08. No Life Singed Her
09. Loretta's Scars
10. Trigger Cut
11. In the Mouth a Desert
12. Debris Slide
13. Two States
14. Zurich is Stained
15. Lions
16. Angel Carver Blues
17. From Now On
18. Greenlander/She Believes
19. Box Elder
20. So Stark

Peel Session 7/10/92
21. Circa 1762
22. Kentucky Cocktail
23. Secret Knowledge Of Backroads
24. Here

Saturday, November 9, 2024

Skyscraper/Grady Sisters 7" (1995, Omnibus)

Haven't posted a split single in awhile, and this one features a band that's brand new to these pages, Skyscraper.  Ostensibly hailing from Davis, CA the coed foursome in question, whip up a fury of serrated guitars and distortion sounding some like three parts Jawbreaker and one (or two) parts Archers of Loaf, circa Icky Mettle.  Their side of this wax, "Rockgirl" is the only tune of theirs that I've been enlightened to, and though they didn't persist long enough to give us an album, a couple of other Skyscraper items are floating around, if you can locate them.  The Grady Sisters were another Cali indie-rock proposition, whose 1993 ep on Geometric Records I offered a few years ago.  The Sisters' contribution to this 45, "Meridian" loosely hovers in the vicinity of their east coast contemporaries Chisel (yep, Ted Leo & Co.). Satisfying if not particularly remarkable.  

A. Skyscraper - Rockgirl
B. Grady Sisters - Meridian

Sunday, November 3, 2024

Five stripes shining in the sunlight.

From 1998.  The saucy sophomore LP from a Scottish band with a Japanese name.  

**Please do not reveal artist in comments!**

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Saturday, November 2, 2024

The Trend - Crash the Bash (1980-96)

It's hard to believe that original copies of a single minted by a teen punk band from Syracuse, NY circa 1980 has fetched as much as $2000.  You can credit The Trend to that unlikely feat. Presented in reverse-chronological order, Crash the Bash, features both songs from that collectible 45 ("Electric Chair" b/w "Band-Aid"), and the trio's 1982 platter Batman Live at the Budokan, alongside unreleased material and reunion songs.  That reunion unfortunately didn't entail one of the Trend's principal members, singer/guitarist J. Marc Patenaude who perished in a 1985 car crash.

Though somewhat rudimentary, not to mention highly topical, The Trend's mid-tempo forte was competent with surprisingly robust arrangements. The Dead Boys or the Saints this trio were not, but they have moments here that almost parallel the Buzzcocks circa their nascent Spiral Scratch ep, bearing some of the same sardonic heft.  Another loose comparison might be the Trends' Belgium contemporaries The Kids, but you're no doubt bound to draw parallels of your own. Love their spot-on rendering of the Mats' "Color Me Impressed," and they also delve into the Damned's Strawberries-era "Dozen Girls."

A thoughtful bio on the band can be read here, and the aforementioned Batman Live... was reissued in limited quantities on the always impressive Japanese Air Mail imprint.

01. Crash the Bash
02. Color Me Impressed
03. Isn't It Mine
04. Dozen Girls
05. Bake Bread Not War
06. Anyone But Me
07. Winneego
08. (Don't) Drink and Drive
09. Candy Striper
10. Office Friendly
11. The Butler Did It
12. Giddy Up and Go
13. Mommy is a Jilt
14. Quaranteen Teen
15. Pop Star
16. Toy Section
17. Peer Pressure
18. Zinc Tabletz
19. Don't Talk to Her
20. Electric Chair
21. Band-Aid

Sunday, October 27, 2024

No one that survived this hurricane would dare deny...

From 1986.  The second album from Placentia, CA's finest. 

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The Fat Lady Sings - Fear and Favour 7" (1986, Good Vibrations)

One of my more recent bargain-bin scoops.  Despite the copyright date, The Fat Lady Sings were not lumped in with the usual C86 crowd (i.e. Primal Scream, Close Lobsters, Pastels) perhaps due to their initial locale of Dublin, yet judging by these two numbers they were aesthetically playing in the same ballpark.  TFLS bore a mildly pastoral bent, say in the manner of the Weather Prophets and Housemartins, and might even tickle the same eardrums Aztec Camera made such a vivid impression with.  "Fear and Favour" was the band's first record, coming together mere months after they had formed, and has me piqued to investigate what they came up with subsequently.  

A. Fear and Favour
B. Wishing Well

Saturday, October 26, 2024

Primary Colors - s/t ep (1983, Urbanoise)

In doing what little research I could on this quartet, it was unsurprisingly revealed that there were multiple bands over the years running around with the moniker Primary Colors.  This one presumably hailed from Boston, MA or nearby environs and released this single ep.  Quintessential synth-pop, but with discernable socio-political themes, mildly suggesting an emerging technocratic world.  In short, there isn't a "Just Can't Get Enough" in this comparatively pensive bouquet, and that's absolutely fine by me.  The one comparison I stumbled on that was leveled at these guys was Illustrated Man, if that means anything to you.  With the exception of the icy, quasi-Dadaistic "Original Sin," I enjoyed this one.  

01. Fact or Fiction
02. Notorious
03. Small World
04. Original Sin
05. Fiction (reprise) 

Sunday, October 20, 2024

Then Jerico - Before the Future: 1984-1989 (2024, Cherry Red) - A brief review.

So, me and my extended family were late in getting MTV, and for that matter, cable TV writ large.  In fact we were a good six long years-late to be exact.  The higher-ups in my household finally relented in the summer of 1987, and between that time right up until the mid-90s I was practically glued to eMpTVy.  MTV News, including a 30-minute weekly incarnation thereof was a thing by early 1988 (if not earlier - but how would my deprived eyes have known)?  I don't remember the month, but sometime that year it was a slow news week for the channel in question, and some filler was needed to flesh out said half-hour. Am not sure if payola was still in the ether circa '88 but the endcap for this particular week was a five minute puff piece on three up-and-coming UK artists.  The lucky trifecta entaild the boy-bandish Wet Wet Wet whose album, Popped in Souled Out, wasn't going to be popping in or out of my cassette deck anytime soon.  Next up was none other than a pre-stardom Rick Astley, a young man with vocal superpowers to be certain, but it was clear that this carefully coifed and polished lad would hardly represent anything heroic to my discriminating eardrums.  

To my good fortune, the remaining contender, Then Jerico wasn't as quick to excise the last distinguishing marks of rock and roll as thoroughly as the aforementioned, and in fact impressed me enough to plunk down the better part of $10 for the stateside release of their debut, First (The Sound of Music).  Their comparative stature to Mr. Astley, and even that of flash-in-pan saps Wet³ was diminished in their native England, and held a virtually non-existent presence in North America...but I couldn't have been more delighted to have TJ all to myself.  As luck would have it, we can all partake in the privilege of indulging in Then Jerico's entire '80s output, as Cherry Red has assembled a four CD box set, Before the Future 1984-1989, encompassing the band's classic first album, it's 1989 follow-up, The Big Area, plus two entire CDs worth of surrounding singles, b-sides, remixes and even a cluster of early demos.

With sizable nods to Simple Minds, as well as lesser concessions to the likes of Duran Duran and U2 (the more preferable eras of all three I might emphasize), The Mark Shaw-fronted Then Jerico usually functioned as a five-piece and wielded a 50/50 sonic wallop of keys and guitars to match their manpower.  No, this wasn't quite new wave, rather an advanced outgrowth thereof, buttressed with a manicured fury of dense, robust arrangements, a flair for the dramatic and colored with somewhat opaque socio-political themes.  Heck, even the album title alone, First (The Sound of Music), reeked of ambition and sophistication.  A volley of singles from the effervescent album in question commenced with 1986's "Muscle Deep" (reissued as a single for a second go-around in '87) , "Let Her Fall," "The Motive," "Prairie Rose," and finally "Blessed Days," the latter for  TJ's Japanese market exclusively it appears. Sweeping, anthemic, yet wholly benevolent and above all else, melodically captivating, First... is practically a salvo of greatest hits unto itself.  Not quite on the level of say, the Joshua Tree or Songs From the Big Chair, First.. but merely a rung or two down on the same ladder, deftly avoiding any ostentatious or preachy pitfalls.  It's an unheralded classic with even it's deepest cuts, specifically "The Laughter Party" and "A Quiet Place (Apathy and Sympathy)" landing as effectively as it's more renown singles.   

The version of First... presented on Before the Future, is sensibly enough the original British iteration of the album.  When First... saw the light of day in America in 1988 several tracks were remixed, the U.S. variants thereof are included as bonuses here - and there's gobs more on top of that, with all the contemporary extras from the album occupying not one or two CDs, but would you believe three all told?  We're treated to TJ's excellent premiere independent 12" "The Big Sweep," circa 1985 and it's follow-up, "Fault." From there on ...Future leaves virtually no stone-unturned, catching every solitary non-LP b-side (including gems like "Searching" and "Electric"), remixes of the more danceable cuts, and a plethora of single edits.  It's a bit overkill, and the sequencing/intermingling a bit dodgy (occasionally separating A-sides and B-sides on different disks), but nothing egregious mind you, and this collection is very much assembled with the completist in mind.  The fourth CD here, dubbed From the Vaults, houses something I've been craving for an eternity- demos for roughly half of First... Early takes of "Let Her Fall," "The Hitcher," and "The Motive" aren't necessarily raw or rough-hewn, per se, but certainly presented in an interesting embryonic context, and worth my decades-long wait.     

Still possessing a healthy quotient of the grandiose sweep that imbued much of First..., TJ's 1989 sophomore effort, The Big Area is by significant degrees more of a commercial venture, demonstrating a tighter and more lucid approach, and notably guitar-centric. Even when the emotional pull isn't as evident as before, Mark Shaw & Co. don't yank the rug out from underneath much of anything, rather Jerico's collective stride pursues a comparatively streamlined tact.  And they were still amassing solid material in the shape of "What Does It Take," the pulsing "Helpless," and "Reeling," the latter accented with strings. Six b-sides and such are appendixed to the Big Area CD, including an unlikely reading of Led Zeppelin's "Trampled Underfoot." Considerably uncharacteristic territory for Jerico, but they manage to pull it off.

Overall, Before the Future... makes an exhaustive case for rediscovering Then Jerico's often neglected catalog, and its attendant bells and whistles (not to mention ace remastering) ushers all of the band's missing pieces into the digital era in one succinct space. It's available direct from Cherry RedAmazon. and hopefully a brick and mortar retailer near you.

Can't rest on your laurels now, not when you've got none...

From 1977-78.  The building blocks for arguably the most important post-punk entity ever.  

**Please do not reveal artist in comments!**

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Saturday, October 19, 2024

FAQ - Pre-Pay (1990, Spikey Music)

Granted, I realize skate-punk isn't on everyone's musical itinerary, but I thought this would still be worth pitching to you.  FAQ's cheeky anacronym (Foolish American Quartet) belies a slightly more serious m.o. than you might wager on this Kalamazoo bunch, who largely sidestep straight-up hardcore in favor of something more tuneful.  The band's lone full-length concedes more to the likes of 7 Seconds (think Soulforce Revolution era), early Shades Apart, Porcelain Boys, and even '80s Doughboys than say, Suicidal Tendencies.  Pre-Pay, FAQ's lone full length kicks off with a trio of recommendable slammers, commencing with "Rules We Bend," exuding no shortage of posi-core affectations.  This platter isn't without some filler, and arguably would have been stronger were it whittled down to a more consistent ep, but Pre-Pay's more satisfactory moments make it worth bellying up to the cashier.  One final thought. The main riff in "My Dreams" faintly resembles that of Hüsker Dü's "Chartered Trips." Emphasis on the 'faintly' part.  Enjoy (or not).

01. Rules We Bend
02. Two Sides Blind
03. Euthanasia Wishes
04. All in One
05. Stuff
06. Silly Dreams
07. Fly
08. Aerobics in Japan
09. My Dream

Sunday, October 13, 2024

You were my best friend, and I stood there and watched it еnd.

A reissue of this fringe Paisley Underground concern's 1986 LP, that also tacks on an even more effective preceding ep, and some additional swag beyond that. 

**Please do not reveal artist in comments!**

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Thursday, October 10, 2024

St. Johnny - High as a Kite (1993, Caroline)

I haven't talked about St. Johnny on these pages, at least not much. These Connecticut by way of NYC noiseniks were worthy of significantly greater attention, both in the blogosphere and generally speaking.  1993's High as a Kite (perhaps these lads were self-referential to their own mental state?) functioned like a bona fide debut album but it actually compiled from a trifecta of early singles and previously unreleased clatter.  And what a glorious din St. Johnny concocted, not unlike equally squalling but tuneful contemporaries Monsterland, Sometime Sweet Susan, and pretty much every other mid-90s headache wallowing in that post-You're Living All Over Me sort of hangover. They were adept enough to insert just enough poignant melody amidst feedback-addled screeds "Stupid" and "Go to Sleep" to get me stoked for their nearly as impressive 1994 premiere LP, Speed is Dreaming, coming down the pike c/o Geffen Records, of all labels.  Some comparatively sensitive, slacker-esque feels were the icing of St. J's dissonant, bittersweet cake.  Again, we should have made them a bigger priority than the vast majority of us did. 

01. Go to Sleep
02. God in My Head
03. Highway
04. Velocity
05. My Father's Father
06. Matador
07. Black
08. Stupid
09. High as a Kite
10. Ashes+Slashes
11. Unclean

Sunday, October 6, 2024

I slept through the thundershowers …the day that she pulled out the flowers.

This is disk five of a six-CD discography box set and not a proper album. I shared one of this band's singles early on in the days of W/O and for whatever the reason decided to yank it.  Truth be told this band recorded several more singles, most of which I didn't get around to digitizing.  Luckily they did that for us. 23 tracks total spanning 1993-97. In addition to the aforementioned 45s it encompasses compilation appearances, the band's second demo tape and unreleased material. In the band's own words, "holy sh%t!"

**Please do not reveal artist in comments!**

Wednesday, October 2, 2024

Hiatus.

Taking this week off. This means no new content until next Mystery Monday.  Cheers.
 

Sunday, September 29, 2024

I had a dream of the sea, but it didn't come for free.

From 1996.  "Hey, you've got your Britpop in my power pop!" "No, more like you've got your power pop in my Britpop!"  Am occasionally encountering shades of Silver Sun and '90s Redd Kross on this one, and I'm sure that more than a few of you will do a double take upon seeing the album cover.

**Please do not reveal artist in comments!**

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Saturday, September 28, 2024

House of Pants - Pressed ep (1984, Amorous)

I like this one, even if it's a little non-descript, an ironic circumstance considering the era.  "Just a Movie" exudes a hyper '80s vibe without resorting to anything as cheesy as say, Oingo Boingo.  Further in, the going is more satisfactory amidst the Cars-y power-pop of "Photographs" and "He's Not There." Really no missteps to speak of on Pressed, this San Fran quartet's second and final ep.  My biggest takeaway is that House of Pants mic-fiend Jeff Saltzman has a vocal timbre striking similar to Scott Miller, but these guys had virtually nothing on Game Theory's indigenous stripe of artful indie pop.  

01. Just a Movie
02. Photographs
03. Scenes
04. He's not There
05. To You
06. Different Today

Wednesday, September 25, 2024

Glass Torpedoes - Someone Different 7" (1979, Teen Beat)

Liverpudlians Glass Torpedoes only stuck around long to give us three singles, this being the first. Nestled in a near-perfect sweet spot between punk and powerpop, the Torps vaguely suggested what the Undertones would have amounted to had they been fronted by the fairer sex. Barbara Donovan leads her boy compatriots on a pair of incessantly catchy mid-tempo aces, "Someone Different" and "Morning, Noon and Night" with convincing but charmingly casual aplomb. The flipside is a bit mindless, largely an instrumental punctuated with redundant waves of "whoa-oh's."  The two aforementioned full-fledged keepers however are a different story, and make this band's dearth of a full length a minor tragedy.

A1. Someone Different
A2. Morning, Noon and Night
B. Heart Surgery 

Sunday, September 22, 2024

Was a has-been now's an am-is

A seminal 1987 barnburner paired with this band's preceding album on one handy compact disk.

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Saturday, September 21, 2024

Go Man Go - s/t (1990, Whet Regin)

This was a pleasant surprise, even though the album as a whole is a bit inconsistent.  First and foremost, Go Man Go's "25 Years" is absolutely phenomenal.  It could be pure coincidence, but this one sounds like a dead-ringer for Canada's Grapes of Wrath, with glints of everyone from Material Issue to Dreams So Real filtering in.  An absolute perfect amalgam of jangle and grit, and could be one of my top-50 power pop tunes of all time.  I can't get over it!  And the subsequent "2nd Time" is nearly as potent, also bred on the same vine as Grapes. "There She Goes" (not the La's number) comes in as my third favorite on here, with a spicy harmonica lead at the beginning. While the remainder of Go Man Go is at the very least adequate, it's not always stimulating, with our trio of protagonists trying on variations of commercial leaning alt-pop, not far removed from the Rambrandts or a significantly less hip Jellyfish.  There would seem to be no relevant details out there regarding these guys, with the exception of a Campbell, CA correspondence address on the rear album jacket.

01. 25 Years
02. 2nd Time
03. Lay it Down
04. Joe & Mary
05. 1000 Miles
06. Shake
07. Driving One Night
08. There She Goes
09. Getaway
10. Just Like Love

Sunday, September 15, 2024

I was there to cash in my soul.

A solo debut from 1980. In fact, this was his only proper solo album while he was still with us.

**Please do not reveal artist in comments!**

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Saturday, September 14, 2024

The Slowest Clock - Smile Futurismo! All I Heard Was Purple (2014, Eye Unseen)

Slowest Clock were denizens of Dublin, IE, and while there may not be a "Dublin sound," this album barely suggests the quartet in question emanated anywhere near the British Isles.  Consisting of recordings tracked between 1989-90, the material on Smile Futurismo! was intended to wind up in the guise of their debut LP.  S/C's fortunes went south soon after the recordings, and frustratingly, the multitrack tapes from the sessions were misplaced for decades as it would turn out.  A subsequent studio session did in fact yield a posthumously released album, Life Still in 1995, but eventually, the aforementioned early lost tapes were located nearly 25 years after the fact, composing the fifteen tunes occupying Smile Futurismo!

Touted as psych/freakbeat revivalists, Slowest Clock weren't necessarily evocative of anyone from the original '60s vanguard.  Not completely removed from that sort of ethos, there is some occasional evidence ("You're So Strange" and "Turning Green") regarding how these guys might have been loosely shoehorned into those environs.  The winsome "Eastern Flowers" leaned in the vicinity of R.E.M., but wasn't quite in league with American indie rock either. Elsewhere, there are several songs here that strike me as unfinished, having miraculously surviving past the demo stage.  ...Futurismo! is an album of anomalies with seemingly minimal connective tissue, yet still rewarding if you're willing to invest a few concerted listens.

01. Going Home
02. Warhola
03. You're So Strange
04. Le Bordel Philosophique
05. Little Fishy
06. Cherie
07. Eastern Flowers
08. Acid Lake
09. Turning Green
10. Say What's On Your Mind.
11. Wasted
12. You Never See Me
13. Desert Mouth
14. Rejoice
15. In the Cinema

Thursday, September 12, 2024

Green Pyramids 7" (1993, Susstones)

Gambled a dollar on this one, and it was a hundred cents well spent.  Despite the fact this coed Minneapolis trio once referred to themselves as power pop, Green Pyramids, though plenty guitarsy, had more in common with the moody sway of say, the Spinanes.  Perhaps a bit too melancholy to rope in mainstream psyches (or more to the point, not visible enough to garner such an audience), the Krystal MacKay-helmed troupe blended depth with an accessible and melodic subtext -  and from the looks of things this 45 was just the tip of their proverbial iceberg. 

A. Tuesdays and Saturdays
B. 10 Miles From the Border