From what little I've been able to glean on this quartet, they actually had ties to another band I introduced you to some time ago, the vaguely new-wave inflected The Lines from Boston, who dished out a wad of independently released wax in the early/mid-80s. It appears that the Drive's keyboardist/mic fiend Pat Dreier is the one who specifically had a role in both bands. Journey's... tenor isn't far removed from the likes of the Hooters, John Cafferty, and less-so Drivin 'n Cryin' - not necessarily power pop, so to speak, but often adjacent with mid-tempo salvos "Something There," "Life Ain't Without You Baby," and "In Her Head," striking me as compulsively catchy. The Drive weren't pompous enough to work an arena, but definitely a notch or two above your typical bar band fare. Nonetheless, this is ambitious and tight as a duck's ass, impeccably produced and engineered by the band alongside a gent named Phil Greene. Enjoy (or not).
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