Showing posts sorted by relevance for query parade. Sort by date Show all posts
Showing posts sorted by relevance for query parade. Sort by date Show all posts

Thursday, February 28, 2019

V/A 3X4 - featuring The Bangles, The Three O' Clock, Rain Parade and Dream Syndicate (Yep Rock, 2019) - A brief review.

Dare I say this is one music scene who've literally decided to celebrate themselves?   For the uninitiated, Rain Parade, The Dream Syndicate, The Three O' Clock and The Bangles were not only considerable entities unto themselves, they composed a four-cornered vanguard in the mid-80s that was routinely referred to as the Paisley Underground.  There were several other minor players hovering on the fringes, but this quartet of bands were the ambassadors of an oft-underexposed mini-movement predominantly native to the Los Angeles-area.  While each of these aggregations had a distinct panache you might say all of the aforementioned majored in jangly, collegiate-level pop with a discernible minor in the more graceful facets of '60s psych.  Nothing too esoteric for the palette, mind you, as the Three O' Clock were wont to double dip oars in New Romantic waters, and as for the Bangles (initially The Bangs) the rest is rock and roll history.

A good thirty to 35 years has passed since the heyday of these artists, so what gives with this crash course in Paisley you might ask?  Well, December 2013 saw the reunion of all four bands for two nights in L.A. and San Francisco.  For all groups involved, not to mention established fans, it was a reminder of just how tight-knit this collective was back in the day.  The venture turned out to be significantly more than a mere nostalgia trip.  In the intervening years since, the Dream Syndicate and Bangles carried on in earnest, but something must have felt unfinished, for in 2018 all four combos found themselves smooshed together in the same king sized bed for yet another reunion in the guise of 3X4.

The premise of the 3X4 is a simple enough one, wherein each of the Paisley cornerstones takes to task one song apiece from their other three contemporaries.  The Bangles cover tunes by Rain Parade, the Syndicate and Three O' Clock, and the other groups follow likewise.  For you lucky ducklings who fancy themselves as aficionados of all four bands, or even those who've developed an appreciation of even just two or three this is a record that quite literally sells itself, not only by virtue of it's participants, but by the volley of long-endeared songs 3X4 unfurls like a new set of Venetian blinds.  On tap is a veritable Paisley hit parade with the Three O'Clock tackling the Dream Syndicate's signature "Tell Me When It's Over" and the Rain Parade's masterstroke, "What She's Done to Your Mind."  The Bangles turn in a reverent version of the Three O' Clock's timeless "Jet Fighter," the Syndicate wield an unlikely reading of the Bangles' "Hero Take a Fall," while Rain Parade do adequate justice to another Bangles classic, "Real World."  And that's only the half of what's in store here.

A couple of quick overarching observations.  Few if any of these covers outdo the original recordings.  No one is reinventing the wheel here, nor is anyone trying to 'best' or even challenge one another.  Instead, 3X4 is a project born out of sheer respect and mutual admiration.  Bearing this in mind, the album's casual, relaxed-fit tenor is wholly appropriate.  Secondly, if you're going into this one cold, you'll find 3X4 pleasant at the very least, but it would behoove you to have some familiarity with Paisley touchstones like the Dream Syndicate's Days of Wine and Roses, Rain Parade's Emergency Third Rail Power Trip, and the first couple of Three O' Clock records.

3X4 was issued in a brief run as a physical release for Black Friday Record Store Day last year, and has recently been made available in wider circulation both digitally and in tangible formats.  Yep Rock Records can serve you straight from the tap, and Amazon and iTunes also have you covered.

Sunday, January 22, 2012

Parade - Love and War (1987, Dangerous Rhythm)

It was nearly three years ago that I shared a scarce slice of wax by Concord, CA's Parade, titled Circle of Deception.  Still got that one in your ipod?  Yeah, I thought so.  It wasn't until I was browsing at Jerry's Records in Pittsburgh that I discovered there was a second Parade album, which I'm featuring today.   Turns out they were up to their same old tricks on Love and War, copping a pint or two from the 'Mats/Magnolias/Junk Monkeys wet bar.  Ringing guitars and punchy, high strung exuberance all around, with a number of comparatively refined ballads on side two.  If any of you can offer some details on Pariah, Parade's precursor band.  The singer/bassist is Ray Lujan, and I have to wonder if he's the same Ray Lujan who writes for Maximum Rock 'N Roll.  I suppose I'll keep wondering 'til someone confirms that suspicion. 

01. Flowers For Pretty
02. True to Life
03. Heaven Help Us
04. One Step Closer to Home
05. Torn in Two
06. The Forgotten Man
07. Love and War
08. When Hope Walks By
09. Time Won't Stop for Us
10. Prisoners of Our Dreams
11. How Can You Win?
12. Dignity

Hear

Saturday, October 17, 2009

The Terrible Parade - Where Were You When the Lights Went Out (1990, Presto!)

It's a wonder I didn't hear about this band ages ago when they were still making records. The Terrible Parade were a Cleveland four-piece with a penchant for chiming post-punk musiq a la the Smiths, Ocean Blue, and For Against, without drawing from any of those particular influences excessively. During their eight year run that kicked off in 1982, the Terrible Parade recorded scores of songs, a bakers dozen of which are compiled on this more than representative platter. Where Were You... was actually expanded and reissued for CD which I would recommend obtaining here. Tracks from this album, along with a slew of other material are scattered over the course of other digital-only releases available from online vendors Emusic, Amazon, and itunes. This rip was taken directly from my vinyl copy, and should function merely as a sampler given that Terrible Parade's back catalog is now at your disposal for just a meager fee.

01. When I'm Waiting
02. Thunder
03. A Sense of Betrayal
04. Big World
05. Not Our Time
06. Guardian Angel
07. Halfway to Nowhere
08. Indictment
09. Talk in a Vacuum
10. Masquerade
11. Turn for the Worst
12. In the Storm
13. Soul Sister

Hear

Tuesday, October 2, 2012

Living Dolls - Emotional Parade ep (1986, Fine Line)

We have another cold case on our hands, this one coming from Seattle as it would appear.  The Anglo-worshiping Living Dolls just barely make the leap to the left end of the dial, but if you can look past the "crossover potential," that ostensibly failed to materialize, this record showcases four highly satisfying tunes.  The pumped-up synths permeating "Bury the Bottle" lend a new romantic vibe to what is probably the catchiest thing on here, while the remainder of Parade takes on a more organic essence.  Pretty much anywhere the needle drops on Emotional Parade has me jonesing for the likes of Wire Train, Then Jerico, Ups and Downs, Railway Children, even the Ocean Blue at moments.  Indeed, this is that kind of record and the Living Dolls are that kind of band - and you're likely to either love 'em or hate 'em.  Hopefully there's a lot more of the former among you.

01. Cost of Confusion
02. Bury the Bottle
03. Emotional Parade
04. Vietnam

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Wednesday, April 30, 2008

Ultra Cindy - Mermaid's Parade (1994, Earthling) & V/A - Wyatt's Torch (1994, Brilliant/Spinart)

I suppose it wouldn't be inaccurate to term Ultra Cindy as part of the "second-wave" of shoegazer bands, part of the unheralded American contingent that featured contemporaries Fudge and The Swirlies. Like the aforementioned, the Virginia Beach-rooted Ultra Cindy also had their sights set on something other than the floor. Their most sublime moments, particularly Mermaid Parade's stunning opener "Hoyt," as well as "Starblazer" benefited greatly from the echoing, tremolo-laced glaze the quartet was wont to embellishment them with, but strains of more straightforward anglophile pop cropped up elsewhere. Ultra Cindy failed to make it onto the field in time to be included in the dream-pop vanguard, and despite their capabilities they were barely regarded as a footnote.

Had it not been for the Wyatt's Torch four-band compilation, The Mermaid's Parade wouldn't be a component of this posting. I initially bought it for the inclusion of Poole, a whip-smart indie-rock troupe, also from Virginia, with considerable power pop leanings. It was here that I made the discovery of Ultra Cindy. Featured here are four alternate recordings of songs that made it onto their lone album. The Wyatt's Torch arrangements have a rawer, and from my experience, a more visceral bent that didn't quite translate over to the album. This collection also includes two Richmond, VA natives, The Technical Jed and The Seymores, the latter impressing mightily with a host of slackeresque, yet melodic tendencies.
 
Ultra Cindy - The Mermaid's Parade
01. Hoyt
02. Fever Pitch
03. 18 Stories Down
04. Eusebio
05. Starblazers
06. Neat
07. Red Nails
08. Crinoline
09. Near Perfect
10. Dean Henry 
 
V/A - Wyatt's Torch 
 
Poole
01. Si
02. Tangle Up
03. So Peaceful When He Sleeps
04. Smiley Mr. Lion 
The Seymores
05. Sicker Than You
06. Drywall
07. Red Snapper
08. Sidewinder 
The Technical Jed
09. Hanging Brain
10. Moebius Strip
11. New Messengers of Happiness
12. Dual Buckets
Ultra Cindy
13. Hoyt
14. Starblazer
15. Neat
16. Near Perfect
 
Ultra Cindy: Hear
Wyatt's Torch comp: Hear

Saturday, November 19, 2011

Rain Parade - 6/28/86, Vic Theater, Chicago, IL

Why a random Rain Parade live set from 1986?  Why not?  It's only been three and a half  years since I last dedicated an entry to L.A.'s unwitting princes of the Paisley Strip.  This is an audience tape of a Chicago stop when Rain Parade were touring behind their Crashing Dream album.  According to the brief notes that accompanied this recording, Plasticland were the openers.  Fitting.  Also fitting is the fact that the set is heavily derived from said Crashing Dream, which as fate would have turned out to be the quartet's studio finale.  Their first and far more lauded LP, Emergency Third Rail Power Trip isn't particularly represented at this gig, however 80% of the 1984 Explosions in the Glass Palace ep is.  The encore features two covers, Cream's classic rock standard "White Room," and the far less common "Cheap Wine" originally done by Green On Red."  Track 12 "Only Business" is omitted due to a recording/digital transfer mishap of some sort, and the beginning of "Home" is cut off, most likely due to a cassette flip by the taper.  If it's more (and better intact) live Rain Parade you're hankering for, Big Plans for Everybody blog has got you covered.

01 No Easy Way Down
02 This Can't Be Today
03 Don't Feel Bad
04 Prisoners
05 Shoot Down The Railroad Man
06 Blue
07 Depending On You
08 Gone West
09 Remember
10 You Are My Friend
11 Home
13 White Room
14 Cheap Wine

Hear

Saturday, April 8, 2017

Rain Parade - Maxwells, Hoboken, NJ 12/2/83

The folks attending this early December gig at Hoboken's legendary Maxwells got an early Christmas present with a visit from one of L.A.'s rising stars.  From the notes of the original taper, the Rain Parade had some competition with an inordinately chatty audience that particular night.  Nonetheless, the paisley vibe was discernible, with a huge oriental rug occupying half of the standing room (or in this case, sitting room with a good bit of the audience seated on the tapestry).  Standards such as "What She's Done to Your Mind," 'Saturday's Asylum" and a run through Syd Barrett's "It's No Good trying" are all present and accounted for.   A fascinating memento for Rain Parade aficionados of what was apparently a very unique gig.  Special thanks to whomever digitized this set and supplied sleeve art.

Also, explore RP's compilation of demos, Demolition here.

01. Any Other Way
02. No Easy Way Down
03. No Good Trying
04. Kaleidoscope
05. I Look Around
06. What She’s Done To Your Mind
07. Look At Merri
08. Saturday’s Asylum
09. Talking In My Sleep
10. It’s Gonna Work Out
11. All My Friends
12. This Can’t Be Today
13. Carolyn’s Song
14. 1 Hr ½ Ago

MP3 (320 kbps)  or  FLAC

Saturday, May 31, 2014

V/A - Parade of Homes 7" (1994, Two Peters)

Even with the resurgence of vinyl, the compilation 7" seems to be an entirely lost art.  They were ubiquitous in the '90s, at least in the indie and punk communities.  Parade of Homes isn't my favorite example of the medium, but it's still well above average.  I can't really say that any one participant here is a "draw" or an "anchor" so to speak, but I know that the Barnabys had a decent following in their native Philly.  Their contribution (in this instance, just singer Joey Sweeney kicking it acoustic), "Tiny Ships" is of humble bedroom aesthetics.  Their Augustus Loop CD can be found used without much effort.  Side one is really where Parade... is at, boasting a pair of indie-guitar rock hopefuls that play for keeps.  Haywood's "Devon Lanes" wields the humble self-deprecating card, while Kimbashing follow that up with "Ultra-Easy," a surging melodic maelstrom that exudes a Chapel Hill sized hook.

01. Haywood - Devon Lanes
02. Kimbashing - Ultra-Easy
03. Barnabys - Tiny Ships
04. Lampshade - Madonnadope

Hear

Wednesday, February 13, 2013

Snake Corps - Victory Parade ep & Testament ep (1986, Midnight)

Upon hearing this Brit quartet for the first time way after the fact just a few years ago, I quickly picked up on the Snake Corps moderate resemblance to another band of the era, Sad Lovers and Giants.  It didn't come as much of a shock to learn that six-stringer Tristan Garel-Funk was a recent alumni of Sad Giants.  The Corps sonic brew wasn't especially visionary, yet highly effective, often suggesting a hybrid of the Chameleons and The Cult (minus the loftiness of the former, and thankfully the bravado of the latter).  The two 12"s this post concerns were released contemporary to the combo's debut LP, Flesh on Flesh.  Tristan's ringing guitar leads, oozing with post-punk iciness mesh well with mouthpiece Marc Lewis' spot-on melodic prowess.  Among the aforementioned comparisons, I'd also recommend these chaps to admirers of Icicle Works and the Mission UK. While all of their albums made it into the digital age, some of these b-sides didn't, including one of their most riveting tunes, "Painted Ocean."  If you're sold like yours truly, I recommend exploring the bulk of the Corps catalog over at iTunes, Amazon, and Emusic.  BTW, per Wiki, the band have reemerged for some live shows here and there. 

Victory Parade ep
A. Victory Parade
B1. Always Be the Same
B2. Painted Ocean

Testament ep
A. Testament
B1. Hit the Cat
B2. Goodbye Forever

Hear

Thursday, December 26, 2019

Six scrumptious singles!

Alright ladies and gentlemen.  Welcome to night five of Chanukah.  Since this entry concerns six singles it might have more sense to wait until tomorrow night, but my hectic schedule won't allow that.  I skipped the singles bundle last year, but not this one.  It is a little more time consuming to string this array of 45s together than you might think, so I hope you'll excuse me if the "essay" portion of this entry seems a little brief.  Maybe it will encourage more downloads if my brevity lends a sense of mystery to this whole endeavor.  Hmmm...  All audio files have been bundled into one folder, with links at the tail end of this write-up.

The End - 7 Day Servant/Dasvidanya  7" (1985, Pool)

I suppose I'll start with my choicest find of the year.  The End were composed of three Dallas denizens, who eventually renamed their unit End Over End.   Theirs wasn't very typical of the whole "Deep Ellum" sound, rather this trio were more content to wallow in post-punky entrails.  Not quite goth mind you, but boy did they nail that echo-y guitar tone on both of these numbers.  Kinda reminiscent of those early Comsat Angels albums like Sleep No More, albeit End's frontman Tench Coxe is a lot sweeter in the vocal department. 


The Terrible Parade - Ed McMahon Says/Telephone Man 7" (1992, Presto)

No strangers to this page, I featured the Terrible Parade's first and only album a good ten years ago.  I like virtually everything I've heard by these Cleveland, OH anglophiles and these two numbers cut the mustard as well.  The band evocatively ponders how life would change if they were to win a certain sweepstakes in "Ed McMahon Says, " while the acoustic flip, "Telephone Man," entails an unrequited romance.  Thematically it's not far removed from a similarly titled song from a charting R&B outfit had a few years prior, but trust me, I prefer Terrible Parade's take on this premise just about any day.

Snatch the Pebble - way/window 7" (1992, esync ocular interchange)

Up for a slice or two of sublime, distortion-laden dream pop?  Sure you are.  I'm pretty much turning up goose eggs on this woozy quartet, presumably from Florida.  Per Discogs Snatch the Pebble had a mere three records to their credit and this appears to be the middle one.  And they did their thing splendidly on this 7" circle of manicured noise, not unlike their equally arcane but excellent contemporaries Ultra Cindy and Smashing Orange.  True, StP may not have been originators of the form, but they're phenomenal practitioners, especially on the A-side "way."

Bok Bok - Come Back to Me/Misfit (1980/2014, Bok Bok/Captured Tracks)

You could say that these UK pop-punks were an offshoot of an offshoot.  A little known band called The Teardrops came into being circa the very end of the '70s featuring alumni from the Buzzcocks and Fall.  I don't own the Teardrops lone album, Final Vinyl, but I've heard it, and sad to say it's downright mediocre, embarrassingly so at times.  The 'drops were out of commission by 1980, and two of the members Steve Garvey (ex-Buzzcocks) and Fall-guy Karl Burns incorporated Bok Bok with a mouthpiece named Dave Price for what turned out to be a self-released, one off single (this one).  In a nutshell, both songs from this fleeting project fulfilled the promise that the Teardrops never capitalized on.  "Come Back to Me" and "Misfit" definitely owes a bigger sonic debt to the Buzzcocks than Mark E. Smith and Co., and given the caliber of these tunes I wouldn't have done things any differently.  The single was released with an alternate sleeve for Record Store Day 2014, and unsold copies may still be available here.

Another Pretty Face - All the Boys Love Carrie/That's Not Enough 7" (1979, New Pleasures)

The Scottish born and bred Another Pretty Face put out this thoroughly winsome wax forty years ago, and could have almost tricked me into thinking it was some long lost Stiff Records artifact.  We're treated to five and a half minutes of old school power pop bliss a la Any Trouble and Dirty Looks, perhaps even a smidge of the Undertones and Records.  "All the Boys Love Carrie" is a classy and perfectly executed banger and it's flip-side is no slouch either.  Four singles and a cassette album was APF's recorded legacy, this 45 being the first of all of them.  They certainly don't churn 'em out like this anymore, but luckily we can take a spin back in time anytime we want.

The Teardrop Explodes - Treason/Read It in Books 7" (1980, Zoo!)

And finally, I'm tossing in one a good lot of you should have some familiarity with.  This, as they say, is a gem.  A pearl.  A nugget of gold.  The Teardrop Explodes were one of the most successful and innovative bands to have emanated from Liverpool, England, post-Beatles.  "Treason" illustrates precisely why, and is the band's finest moment alongside the almost equally appealing "Reward."  In case you don't know the story, after the band's dissolution, prime mover Julian Cope ventured out off onto a successful solo career, yielding gold albums...and as you may know, the usage of all manner of hallucinogenics.  Here is the first of two incarnations of the "Treason" single, this one backed with an Echo & the Bunnymen cover, and released independently on the band's own Zoo! imprint.

MP3
  or  FLAC

Sunday, August 5, 2007

Rain Parade - Crashing Dream (1985)

It probably wouldn't be an exaggeration to say that whomever downloads this album knows more about L.A.'s Rain Parade than I do. Chalk that up primarily to the fact that I didn't become familiar with them until some 15 years after Crashing Dream came out. I did however experience their preceding studio album, the psychedelically tinged Emergency Third Rail Powertrip, before I laid ears on this one, which from my understanding never made it into the digital age. Rain Parade was a significant prime-mover in Los Angeles' fabled "paisley underground" movement, which was a key component of the new romantic scene of the era. That only goes so far I suppose. As opposed to Emergency ..., Crashing Dream seems to cater to the more commercial auspices of the record biz, and understandably so, given it's Island Records credentials. Not a bad disk though. I do have to strongly disagree with the Trouser Press critic that claims "Mystic Green," could pass for The Records. Nonsense.

01. Depending On You
02. My Secret Country
03. Don't Feel Bad
04. Mystic Green
05. Sad Eyes kill
06. Shoot Down the Railroad Man
07. Fertile Crescent
08. Invisible People
09. Gone West
10. Only Business

Bandcamp has you covered

Sunday, April 3, 2022

the terrible parade - ed mcmahon says 7'' (1991, Presto!)

Looks like I went a whole decade plus without a follow-up to my original Terrible Parade entry from 2009. No, unfortunately it's not another full length (they only made one, 1990's Where Were You When the Light Went Out), but they did follow it up with a single containing two entirely new songs. Sonically, they lightened their attack for the ace A-side, the acoustic "Ed McMahon Says" that ponders what it would be like to be handed a check for a cool million from the man in question. The flip, "Telephone Man" mines a strikingly similar vein (thematically  anyway) to New Edition's "Mr. Telephone Man," though Terrible Parade's take on this often doleful topic is in the form of a wholly unique tune with smarter lyrics. 

a. ed mcmahon says
b. telephone man

hear

Thursday, October 13, 2016

Living Dolls - tape (1984)

I was so impressed with Living Doll's Emotional Parade ep that I jumped at the chance to obtain an original copy of their 1984 demo.  Upon posting ...Parade four years ago, I remarked that this Seattle trio skirted on the fringes of new wave but deftly wielded a more organic approach.  This six-song precursor to that record (produced by Terry Date no less) illustrates that the Dolls had their act together from the get go, melding jangly arpeggios to appropriately melodic songcraft in the realm of Rhythm Corps, Split Enz, and so forth.  Highlights entail "Cost of Confusion" (later to be re-cut for Emotional Parade) and the bustling "Making Statements."

01. Cost of Confusion
02. Rampage in Overtown
03. Point of View
04. Sympathy
05. Making Statements
06. Kiss of Compensation

Hear

Saturday, February 2, 2008

Rain Parade - Demolition (1991)

As it's title should literally imply, Demolition is a rare, 19-track CD of studio demos, specifically for the Crashing Dream album, which I uploaded here last August. Crashing Dream may not have been as arresting as Rain Parade's classic debut, Emergency Third Rail Power Trip, and as such, a collection of demos and outtakes for that album will only appeal to die-hard fans. That's pretty much the idea here. The demo incarnation of CD's arguably finest entry, "Mystic Green," sparkles as iridescently as the LP version, and some of Demolition's entirely unreleased outtakes, including "TV Stone," "Novacaine," and "Crashing Dream," which strangely enough never made it onto the album proper, are worthwhile curoios...but once again, for fans only.

01. Sad Eyes Kill
02. Mystic Green
03. Shoot Down the Railroad Man
04. My Secret Country
05. Invisible People
06. Only Business
07. Crashing Dream
08. Depending On You
09. Gone West
10. My Dog's Last Dream
11. Tranquility Base
12. The Sniper
13. Murder Boy
14. Got the Fear
15. TV Stone

16. Undermine
17. Novacaine
18. Power
19. Every Morning Does

Get it on Bandcamp

Wednesday, February 25, 2009

Engine No. 9 (pre-Fudge) 7" (1991, Bus Stop); V/A -Peppermint Stick Parade (1995, Bus Stop)

As promised, here's another installment in the Fudge legacy series. Turns out that prior to getting all woozy in Fudge, the band's nuclei of frontmen Tony Ammendolia & David Jones had their antecedents in a group called Engine No. 9, who's recorded output involved a mere 7" single. Gee, thanks a lot guys. If you would have been a little more generous I wouldn't be lamenting the fact there were no more songs cut from the same flabbergasting fabric that bore "Sleep," and "Waterfall," two modest, but deeply affecting mid-fi downer pop classics for the ages.
 
While I've scanned the sleeve for the single to your right (that Pier Platters tag ain't getting peeled off for nothin'), both tracks also appeared on Bus Stop Record's Peppermint Stick Parade compilation, which I've posted in it's entirety (that means the whole thing). Since you've been gracious enough to come for Engine no. 9, stay for jangle-pop keepers by the equally impressive Bag-O-Shells and St. Christopher. And if that weren't enough, there's also some vintage Velvet Crush action going on here too, and believe it or not, the pre-VC Springfields (Rick Menck) and a solo cut from the Crush's other prime mover, Paul Chastain. Should you crave more of the Menck/Chastain axis, proceed to this pertinent post from last year.
 
01-The Stupid Cupids - Big Blue Bus
02-Bag-O-Shells - Almost Home
03-Honeybunch - Warts and All
04-The Mayfields - Deeper Than the Ocean
05-Engine No. 9 - Waterfall
06-St. Christopher - Even the Sky Seems Blue
07-The Springfields - Sunflower
08-The Sneetches - Flying on the Ground
09-Bag-O-Shells - Whatever Happened to My Life?
10-Engine No. 9 - Sleep
11-Honeybunch - Hey Blue Sky!
12-The Mayfields - Feels Like Yesterday
13-St. Christopher - Our Secret
14-The Caroline Know - Orphaned Too
15-Paulie Chastain - Raining All Day
16-Velvet Crush - Circling the Sun 
 

Sunday, April 5, 2009

Parade - Circle of Deception (1996, Dangerous Rhythm)

Parade were a Concord, CA quartet who specialized in edgy, alt-guitar rock, and billowy haircuts. Maybe it's all in bassist Ray Lujan's pipes, but there's a Game Theory vibe that permeates much of Circle of Deception, albeit with a more pedestrian bent. I'm picking up traces of U2, Tommy Keene, and the Mats too. Regarding the dark splotch in the upper right corner of the sleeve, somebody had the bright idea to denote this album with black magic marker before relegating it to the clearance bin of the store I bought this at.

01. Portrait of Shame
02. The Will to Live
03. Alot to Learn
04. Circle of Deception
05. A Cry For Help
06. Cry Tough
07. Tradition
08. Getting Away With Murder
09. A Chance to Forget
10. The Light of the Day

Hear

Saturday, January 7, 2017

V/A - Best of the blog mix 2016.

Well, I'm about a week tardy in dispensing my annual distillation of the creme de la creme of my presentations from the year just passed.  If you discount all of the temporary "Mystery Monday" entries, I shared approximately 140 titles in 2016, down a good hundred or so from say, three years ago.  I'm getting more slack, and I don't reckon that 2017 will be the year I rebound, but we'll see.  No less than eighteen of the 23 selections this hypothetical mix-tape involves came to market in the 1980s, illustrating just what a fertile and rewarding decade that was.  I've been hip to some of the names on this roster for what seems like an eternity - the Dangtrippers, Wishniaks and The Ocean Blue, while others like the Water Walk, Grey Parade, Beef People and Gone Daddy Finch made their way onto my sonar a lot more recently.

I sequenced the music from mellow to mid tempo to decidedly heftier and freewheeling, employing a similar build up schematic that I have in years passed.  There are going to be fluctuations in volume MP3 bitrates, that I didn't have the opportunity to balance out, so my apologies in advance.  I've hyperlinked the artist names to take you directly to the original entries.  Enjoy this veritable feast of ones and zeros, and of course, don't be a stranger.
 
01. The Water Walk - Anyways
02. Dream Academy - Poised on the Edge of Forever (early vers)*
03. Ocean Blue - Vanity Fair (1988 demo)
04. Beef People - Fragile
05. The Upbeats - The Laser Beam Boys
06. Psychic Archie - No Pictures of Dad*
07. Fossil - Martyr's Wife
08. Christmas - Stupid Kids
09. Reaction Formation - Teenage Jesus
10. Lovers Under Pressure - Epitaph
11. Wishniaks - Point of No Return
12. Gone Daddy Finch - Sunshine Sister
13. Dangtrippers - When Time Runs Out
14. Drones - Red
15. Trunk - Sunbake
16. UV Prom - Upper Room
17. Figure 5 - I Get Lonely
18. Grey Parade - Flags Are Burning
19. Dead Neighbors - The Ultimate Goal
20. The Restless - The Contender
21. Rolls Rock - Peggye's on Qualudes
22. Flys - 16 Down
23. The Sweat - You Gotta Lotta Nerve

*previously unshared

Hear

Saturday, October 11, 2014

V/A - Sounds Showcase 2 7" ep (1987)

Fidelity-wise, this could be one of the most irritating rips I've shared to date.  Vinyl static, pops, snaps - it's all here, but so are some worthy tunes, by four acts that I really haven't given much attention to on these pages.  Sounds Showcase 2 (one of a three part series) was ostensibly given away as a bonus with an issue of Sounds magazine back in 1987.  The Shop Assistants lead things off with a satisfying cover of the Shangri-las "Train From Kansas City," a good two years before Superchunk made it cool.  I never really got into The Woodentops (though I made a sincere effort awhile back).  "Love Train" is not a retread of the O'Jays, but apparently an original Woodentops composition, recorded live for Westward One.  Mighty Lemon Drops' "Hear Me Call" made the leap to their 1988 World Without End album, but this versions sounds slightly different.  Possibly unmixed or maybe a demo.  I like it.  Though the sleeve of this record states that all tracks were exclusive to Sounds, the Icicle Works "Don't Let it Rain On My Parade" was easily locatable on the CD version of their If You Want to Defeat You Enemy... LP. 

01. Shop Assistants - Train From Kansas City (new version)
02. Woodentops - Love Train (live)
03. The Mighty Lemon Drops - Hear Me Call
04. Icicle Works - Don't Let it Rain On My Parade

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Thursday, June 23, 2016

Grey Parade - The Reason (1985, Plan B)

The vendor who sold me this wax affixed a post-it-note stating, in so many words, that this record fit's the band's moniker.  Bit of an exaggeration there, as was the Echo and the Bunnymen comparison also mentioned on the note.  If anything, Grey Parade's vaguely noir pastiche of wave and post-punk was less than radical, often culminating in what a fusion of the Lucy Show and Modern English would amount to.  The melancholia factor isn't as prominent as you might anticipate on The Reason, albeit the themes and prose populating the LP are intelligent and considered without getting too heady.  "Flags are Burning" and "Impressions of Africa" are great jumping off points for the unacquainted.  This was ostensibly the quartet's lone full length, and a seemingly difficult record to track down at that.

01. Crocodile Tears
02. Flags are Burning
03. Each Time We Touch
04. The Empty Room
05. The Reason
06. Winter
07. Exteriors
08. The Chosen Few
09. Impressions of Africa
10. Heaven and Hell

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Tuesday, March 2, 2010

Dryer - Beauty Parade tape (1995)

During the mid-90s, if you were situated in the Saratoga Springs/Albany, NY area and had your ear fairly close to the ground, you may remember the band Dryer as being something of a club and college radio staple. Apparently back together and on the verge of releasing a new album Dryer is/were a co-ed, indie-rock trio who bore a resemblance to Superchunk and Velocity Girl, though they didn't completely exude the excitement of either. There were at least two Dryer CDs and two 7" eps that rolled off the presses between 1994-98, but a little sidebar to their discography was this rather endearing DIY cassette I'm sharing. The ten selections on Beauty Parade were culled from a Paint Chip Records compilation called Fear Into Fuel, a bunch of demo tracks recorded for Atlantic Records, and live songs from a 1994 performance at Bogie's nightclub in Albany. I'm sure this tape was limited to a few hundred copies. Anyone want to hear more from Dryer, let me know.

01. Back Off
02. Mint Chocolate Chunk
03. Chip
04. Green Paper
05. Test Case #212
06. I Can't Wait
07. Girlfriend
08. Nothing Again
09. Speed Queen
10. 1 + 2

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