Thursday, February 28, 2019
V/A 3X4 - featuring The Bangles, The Three O' Clock, Rain Parade and Dream Syndicate (Yep Rock, 2019) - A brief review.
A good thirty to 35 years has passed since the heyday of these artists, so what gives with this crash course in Paisley you might ask? Well, December 2013 saw the reunion of all four bands for two nights in L.A. and San Francisco. For all groups involved, not to mention established fans, it was a reminder of just how tight-knit this collective was back in the day. The venture turned out to be significantly more than a mere nostalgia trip. In the intervening years since, the Dream Syndicate and Bangles carried on in earnest, but something must have felt unfinished, for in 2018 all four combos found themselves smooshed together in the same king sized bed for yet another reunion in the guise of 3X4.
The premise of the 3X4 is a simple enough one, wherein each of the Paisley cornerstones takes to task one song apiece from their other three contemporaries. The Bangles cover tunes by Rain Parade, the Syndicate and Three O' Clock, and the other groups follow likewise. For you lucky ducklings who fancy themselves as aficionados of all four bands, or even those who've developed an appreciation of even just two or three this is a record that quite literally sells itself, not only by virtue of it's participants, but by the volley of long-endeared songs 3X4 unfurls like a new set of Venetian blinds. On tap is a veritable Paisley hit parade with the Three O'Clock tackling the Dream Syndicate's signature "Tell Me When It's Over" and the Rain Parade's masterstroke, "What She's Done to Your Mind." The Bangles turn in a reverent version of the Three O' Clock's timeless "Jet Fighter," the Syndicate wield an unlikely reading of the Bangles' "Hero Take a Fall," while Rain Parade do adequate justice to another Bangles classic, "Real World." And that's only the half of what's in store here.
A couple of quick overarching observations. Few if any of these covers outdo the original recordings. No one is reinventing the wheel here, nor is anyone trying to 'best' or even challenge one another. Instead, 3X4 is a project born out of sheer respect and mutual admiration. Bearing this in mind, the album's casual, relaxed-fit tenor is wholly appropriate. Secondly, if you're going into this one cold, you'll find 3X4 pleasant at the very least, but it would behoove you to have some familiarity with Paisley touchstones like the Dream Syndicate's Days of Wine and Roses, Rain Parade's Emergency Third Rail Power Trip, and the first couple of Three O' Clock records.
3X4 was issued in a brief run as a physical release for Black Friday Record Store Day last year, and has recently been made available in wider circulation both digitally and in tangible formats. Yep Rock Records can serve you straight from the tap, and Amazon and iTunes also have you covered.
Sunday, January 22, 2012
Parade - Love and War (1987, Dangerous Rhythm)
01. Flowers For Pretty
02. True to Life
03. Heaven Help Us
04. One Step Closer to Home
05. Torn in Two
06. The Forgotten Man
07. Love and War
08. When Hope Walks By
09. Time Won't Stop for Us
10. Prisoners of Our Dreams
11. How Can You Win?
12. Dignity
Hear
Saturday, October 17, 2009
The Terrible Parade - Where Were You When the Lights Went Out (1990, Presto!)
01. When I'm Waiting
02. Thunder
03. A Sense of Betrayal
04. Big World
05. Not Our Time
06. Guardian Angel
07. Halfway to Nowhere
08. Indictment
09. Talk in a Vacuum
10. Masquerade
11. Turn for the Worst
12. In the Storm
13. Soul Sister
Hear
Tuesday, October 2, 2012
Living Dolls - Emotional Parade ep (1986, Fine Line)
01. Cost of Confusion
02. Bury the Bottle
03. Emotional Parade
04. Vietnam
Hear
Wednesday, April 30, 2008
Ultra Cindy - Mermaid's Parade (1994, Earthling) & V/A - Wyatt's Torch (1994, Brilliant/Spinart)
I suppose it wouldn't be inaccurate to term Ultra Cindy as part of the "second-wave" of shoegazer bands, part of the unheralded American contingent that featured contemporaries Fudge and The Swirlies. Like the aforementioned, the Virginia Beach-rooted Ultra Cindy also had their sights set on something other than the floor. Their most sublime moments, particularly Mermaid Parade's stunning opener "Hoyt," as well as "Starblazer" benefited greatly from the echoing, tremolo-laced glaze the quartet was wont to embellishment them with, but strains of more straightforward anglophile pop cropped up elsewhere. Ultra Cindy failed to make it onto the field in time to be included in the dream-pop vanguard, and despite their capabilities they were barely regarded as a footnote.
Had it not been for the Wyatt's Torch four-band compilation, The Mermaid's Parade wouldn't be a component of this posting. I initially bought it for the inclusion of Poole, a whip-smart indie-rock troupe, also from Virginia, with considerable power pop leanings. It was here that I made the discovery of Ultra Cindy. Featured here are four alternate recordings of songs that made it onto their lone album. The Wyatt's Torch arrangements have a rawer, and from my experience, a more visceral bent that didn't quite translate over to the album. This collection also includes two Richmond, VA natives, The Technical Jed and The Seymores, the latter impressing mightily with a host of slackeresque, yet melodic tendencies.Saturday, November 19, 2011
Rain Parade - 6/28/86, Vic Theater, Chicago, IL
Why a random Rain Parade live set from 1986? Why not? It's only been three and a half years since I last dedicated an entry to L.A.'s unwitting princes of the Paisley Strip. This is an audience tape of a Chicago stop when Rain Parade were touring behind their Crashing Dream album. According to the brief notes that accompanied this recording, Plasticland were the openers. Fitting. Also fitting is the fact that the set is heavily derived from said Crashing Dream, which as fate would have turned out to be the quartet's studio finale. Their first and far more lauded LP, Emergency Third Rail Power Trip isn't particularly represented at this gig, however 80% of the 1984 Explosions in the Glass Palace ep is. The encore features two covers, Cream's classic rock standard "White Room," and the far less common "Cheap Wine" originally done by Green On Red." Track 12 "Only Business" is omitted due to a recording/digital transfer mishap of some sort, and the beginning of "Home" is cut off, most likely due to a cassette flip by the taper. If it's more (and better intact) live Rain Parade you're hankering for, Big Plans for Everybody blog has got you covered.
01 No Easy Way Down
02 This Can't Be Today
03 Don't Feel Bad
04 Prisoners
05 Shoot Down The Railroad Man
06 Blue
07 Depending On You
08 Gone West
09 Remember
10 You Are My Friend
11 Home
13 White Room
14 Cheap Wine
Saturday, April 8, 2017
Rain Parade - Maxwells, Hoboken, NJ 12/2/83
Also, explore RP's compilation of demos, Demolition here.
01. Any Other Way
02. No Easy Way Down
03. No Good Trying
04. Kaleidoscope
05. I Look Around
06. What She’s Done To Your Mind
07. Look At Merri
08. Saturday’s Asylum
09. Talking In My Sleep
10. It’s Gonna Work Out
11. All My Friends
12. This Can’t Be Today
13. Carolyn’s Song
14. 1 Hr ½ Ago
MP3 (320 kbps) or FLAC
Saturday, May 31, 2014
V/A - Parade of Homes 7" (1994, Two Peters)
Even with the resurgence of vinyl, the compilation 7" seems to be an entirely lost art. They were ubiquitous in the '90s, at least in the indie and punk communities. Parade of Homes isn't my favorite example of the medium, but it's still well above average. I can't really say that any one participant here is a "draw" or an "anchor" so to speak, but I know that the Barnabys had a decent following in their native Philly. Their contribution (in this instance, just singer Joey Sweeney kicking it acoustic), "Tiny Ships" is of humble bedroom aesthetics. Their Augustus Loop CD can be found used without much effort. Side one is really where Parade... is at, boasting a pair of indie-guitar rock hopefuls that play for keeps. Haywood's "Devon Lanes" wields the humble self-deprecating card, while Kimbashing follow that up with "Ultra-Easy," a surging melodic maelstrom that exudes a Chapel Hill sized hook.01. Haywood - Devon Lanes
02. Kimbashing - Ultra-Easy
03. Barnabys - Tiny Ships
04. Lampshade - Madonnadope
Hear
Wednesday, February 13, 2013
Snake Corps - Victory Parade ep & Testament ep (1986, Midnight)
Upon hearing this Brit quartet for the first time way after the fact just a few years ago, I quickly picked up on the Snake Corps moderate resemblance to another band of the era, Sad Lovers and Giants. It didn't come as much of a shock to learn that six-stringer Tristan Garel-Funk was a recent alumni of Sad Giants. The Corps sonic brew wasn't especially visionary, yet highly effective, often suggesting a hybrid of the Chameleons and The Cult (minus the loftiness of the former, and thankfully the bravado of the latter). The two 12"s this post concerns were released contemporary to the combo's debut LP, Flesh on Flesh. Tristan's ringing guitar leads, oozing with post-punk iciness mesh well with mouthpiece Marc Lewis' spot-on melodic prowess. Among the aforementioned comparisons, I'd also recommend these chaps to admirers of Icicle Works and the Mission UK. While all of their albums made it into the digital age, some of these b-sides didn't, including one of their most riveting tunes, "Painted Ocean." If you're sold like yours truly, I recommend exploring the bulk of the Corps catalog over at iTunes, Amazon, and Emusic. BTW, per Wiki, the band have reemerged for some live shows here and there.
Victory Parade ep
A. Victory Parade
B1. Always Be the Same
B2. Painted Ocean
Testament ep
A. Testament
B1. Hit the Cat
B2. Goodbye Forever
Thursday, December 26, 2019
Six scrumptious singles!
The End - 7 Day Servant/Dasvidanya 7" (1985, Pool)I suppose I'll start with my choicest find of the year. The End were composed of three Dallas denizens, who eventually renamed their unit End Over End. Theirs wasn't very typical of the whole "Deep Ellum" sound, rather this trio were more content to wallow in post-punky entrails. Not quite goth mind you, but boy did they nail that echo-y guitar tone on both of these numbers. Kinda reminiscent of those early Comsat Angels albums like Sleep No More, albeit End's frontman Tench Coxe is a lot sweeter in the vocal department.
The Terrible Parade - Ed McMahon Says/Telephone Man 7" (1992, Presto)No strangers to this page, I featured the Terrible Parade's first and only album a good ten years ago. I like virtually everything I've heard by these Cleveland, OH anglophiles and these two numbers cut the mustard as well. The band evocatively ponders how life would change if they were to win a certain sweepstakes in "Ed McMahon Says, " while the acoustic flip, "Telephone Man," entails an unrequited romance. Thematically it's not far removed from a similarly titled song from a charting R&B outfit had a few years prior, but trust me, I prefer Terrible Parade's take on this premise just about any day.
Snatch the Pebble - way/window 7" (1992, esync ocular interchange)
Up for a slice or two of sublime, distortion-laden dream pop? Sure you are. I'm pretty much turning up goose eggs on this woozy quartet, presumably from Florida. Per Discogs Snatch the Pebble had a mere three records to their credit and this appears to be the middle one. And they did their thing splendidly on this 7" circle of manicured noise, not unlike their equally arcane but excellent contemporaries Ultra Cindy and Smashing Orange. True, StP may not have been originators of the form, but they're phenomenal practitioners, especially on the A-side "way."
Bok Bok - Come Back to Me/Misfit (1980/2014, Bok Bok/Captured Tracks)You could say that these UK pop-punks were an offshoot of an offshoot. A little known band called The Teardrops came into being circa the very end of the '70s featuring alumni from the Buzzcocks and Fall. I don't own the Teardrops lone album, Final Vinyl, but I've heard it, and sad to say it's downright mediocre, embarrassingly so at times. The 'drops were out of commission by 1980, and two of the members Steve Garvey (ex-Buzzcocks) and Fall-guy Karl Burns incorporated Bok Bok with a mouthpiece named Dave Price for what turned out to be a self-released, one off single (this one). In a nutshell, both songs from this fleeting project fulfilled the promise that the Teardrops never capitalized on. "Come Back to Me" and "Misfit" definitely owes a bigger sonic debt to the Buzzcocks than Mark E. Smith and Co., and given the caliber of these tunes I wouldn't have done things any differently. The single was released with an alternate sleeve for Record Store Day 2014, and unsold copies may still be available here.
Another Pretty Face - All the Boys Love Carrie/That's Not Enough 7" (1979, New Pleasures)The Scottish born and bred Another Pretty Face put out this thoroughly winsome wax forty years ago, and could have almost tricked me into thinking it was some long lost Stiff Records artifact. We're treated to five and a half minutes of old school power pop bliss a la Any Trouble and Dirty Looks, perhaps even a smidge of the Undertones and Records. "All the Boys Love Carrie" is a classy and perfectly executed banger and it's flip-side is no slouch either. Four singles and a cassette album was APF's recorded legacy, this 45 being the first of all of them. They certainly don't churn 'em out like this anymore, but luckily we can take a spin back in time anytime we want.
The Teardrop Explodes - Treason/Read It in Books 7" (1980, Zoo!)
And finally, I'm tossing in one a good lot of you should have some familiarity with. This, as they say, is a gem. A pearl. A nugget of gold. The Teardrop Explodes were one of the most successful and innovative bands to have emanated from Liverpool, England, post-Beatles. "Treason" illustrates precisely why, and is the band's finest moment alongside the almost equally appealing "Reward." In case you don't know the story, after the band's dissolution, prime mover Julian Cope ventured out off onto a successful solo career, yielding gold albums...and as you may know, the usage of all manner of hallucinogenics. Here is the first of two incarnations of the "Treason" single, this one backed with an Echo & the Bunnymen cover, and released independently on the band's own Zoo! imprint.
MP3 or FLAC
Sunday, August 5, 2007
Rain Parade - Crashing Dream (1985)
01. Depending On You
02. My Secret Country
03. Don't Feel Bad
04. Mystic Green
05. Sad Eyes kill
06. Shoot Down the Railroad Man
07. Fertile Crescent
08. Invisible People
09. Gone West
10. Only Business
Bandcamp has you covered
Sunday, April 3, 2022
the terrible parade - ed mcmahon says 7'' (1991, Presto!)
a. ed mcmahon says
b. telephone man
Thursday, October 13, 2016
Living Dolls - tape (1984)
I was so impressed with Living Doll's Emotional Parade ep that I jumped at the chance to obtain an original copy of their 1984 demo. Upon posting ...Parade four years ago, I remarked that this Seattle trio skirted on the fringes of new wave but deftly wielded a more organic approach. This six-song precursor to that record (produced by Terry Date no less) illustrates that the Dolls had their act together from the get go, melding jangly arpeggios to appropriately melodic songcraft in the realm of Rhythm Corps, Split Enz, and so forth. Highlights entail "Cost of Confusion" (later to be re-cut for Emotional Parade) and the bustling "Making Statements."01. Cost of Confusion
02. Rampage in Overtown
03. Point of View
04. Sympathy
05. Making Statements
06. Kiss of Compensation
Hear
Saturday, February 2, 2008
Rain Parade - Demolition (1991)
As it's title should literally imply, Demolition is a rare, 19-track CD of studio demos, specifically for the Crashing Dream album, which I uploaded here last August. Crashing Dream may not have been as arresting as Rain Parade's classic debut, Emergency Third Rail Power Trip, and as such, a collection of demos and outtakes for that album will only appeal to die-hard fans. That's pretty much the idea here. The demo incarnation of CD's arguably finest entry, "Mystic Green," sparkles as iridescently as the LP version, and some of Demolition's entirely unreleased outtakes, including "TV Stone," "Novacaine," and "Crashing Dream," which strangely enough never made it onto the album proper, are worthwhile curoios...but once again, for fans only. 01. Sad Eyes Kill
02. Mystic Green
03. Shoot Down the Railroad Man
04. My Secret Country
05. Invisible People
06. Only Business
07. Crashing Dream
08. Depending On You
09. Gone West
10. My Dog's Last Dream
11. Tranquility Base
12. The Sniper
13. Murder Boy
14. Got the Fear
15. TV Stone
16. Undermine
17. Novacaine
18. Power
19. Every Morning Does
Get it on Bandcamp
Wednesday, February 25, 2009
Engine No. 9 (pre-Fudge) 7" (1991, Bus Stop); V/A -Peppermint Stick Parade (1995, Bus Stop)
As promised, here's another installment in the Fudge legacy series. Turns out that prior to getting all woozy in Fudge, the band's nuclei of frontmen Tony Ammendolia & David Jones had their antecedents in a group called Engine No. 9, who's recorded output involved a mere 7" single. Gee, thanks a lot guys. If you would have been a little more generous I wouldn't be lamenting the fact there were no more songs cut from the same flabbergasting fabric that bore "Sleep," and "Waterfall," two modest, but deeply affecting mid-fi downer pop classics for the ages.
While I've scanned the sleeve for the single to your right (that Pier Platters tag ain't getting peeled off for nothin'), both tracks also appeared on Bus Stop Record's Peppermint Stick Parade compilation, which I've posted in it's entirety (that means the whole thing). Since you've been gracious enough to come for Engine no. 9, stay for jangle-pop keepers by the equally impressive Bag-O-Shells and St. Christopher. And if that weren't enough, there's also some vintage Velvet Crush action going on here too, and believe it or not, the pre-VC Springfields (Rick Menck) and a solo cut from the Crush's other prime mover, Paul Chastain. Should you crave more of the Menck/Chastain axis, proceed to this pertinent post from last year.Sunday, April 5, 2009
Parade - Circle of Deception (1996, Dangerous Rhythm)
Parade were a Concord, CA quartet who specialized in edgy, alt-guitar rock, and billowy haircuts. Maybe it's all in bassist Ray Lujan's pipes, but there's a Game Theory vibe that permeates much of Circle of Deception, albeit with a more pedestrian bent. I'm picking up traces of U2, Tommy Keene, and the Mats too. Regarding the dark splotch in the upper right corner of the sleeve, somebody had the bright idea to denote this album with black magic marker before relegating it to the clearance bin of the store I bought this at.
01. Portrait of Shame
02. The Will to Live
03. Alot to Learn
04. Circle of Deception
05. A Cry For Help
06. Cry Tough
07. Tradition
08. Getting Away With Murder
09. A Chance to Forget
10. The Light of the Day
Saturday, January 7, 2017
V/A - Best of the blog mix 2016.
01. The Water Walk - Anyways02. Dream Academy - Poised on the Edge of Forever (early vers)*
03. Ocean Blue - Vanity Fair (1988 demo)
04. Beef People - Fragile
05. The Upbeats - The Laser Beam Boys
06. Psychic Archie - No Pictures of Dad*
07. Fossil - Martyr's Wife
08. Christmas - Stupid Kids
09. Reaction Formation - Teenage Jesus
10. Lovers Under Pressure - Epitaph
11. Wishniaks - Point of No Return
12. Gone Daddy Finch - Sunshine Sister
13. Dangtrippers - When Time Runs Out
14. Drones - Red
15. Trunk - Sunbake
16. UV Prom - Upper Room
17. Figure 5 - I Get Lonely
18. Grey Parade - Flags Are Burning
19. Dead Neighbors - The Ultimate Goal
20. The Restless - The Contender
21. Rolls Rock - Peggye's on Qualudes
22. Flys - 16 Down
23. The Sweat - You Gotta Lotta Nerve
*previously unshared
Hear
Saturday, October 11, 2014
V/A - Sounds Showcase 2 7" ep (1987)
01. Shop Assistants - Train From Kansas City (new version)
02. Woodentops - Love Train (live)
03. The Mighty Lemon Drops - Hear Me Call
04. Icicle Works - Don't Let it Rain On My Parade
Hear
Thursday, June 23, 2016
Grey Parade - The Reason (1985, Plan B)
01. Crocodile Tears
02. Flags are Burning
03. Each Time We Touch
04. The Empty Room
05. The Reason
06. Winter
07. Exteriors
08. The Chosen Few
09. Impressions of Africa
10. Heaven and Hell
Hear
Tuesday, March 2, 2010
Dryer - Beauty Parade tape (1995)
During the mid-90s, if you were situated in the Saratoga Springs/Albany, NY area and had your ear fairly close to the ground, you may remember the band Dryer as being something of a club and college radio staple. Apparently back together and on the verge of releasing a new album Dryer is/were a co-ed, indie-rock trio who bore a resemblance to Superchunk and Velocity Girl, though they didn't completely exude the excitement of either. There were at least two Dryer CDs and two 7" eps that rolled off the presses between 1994-98, but a little sidebar to their discography was this rather endearing DIY cassette I'm sharing. The ten selections on Beauty Parade were culled from a Paint Chip Records compilation called Fear Into Fuel, a bunch of demo tracks recorded for Atlantic Records, and live songs from a 1994 performance at Bogie's nightclub in Albany. I'm sure this tape was limited to a few hundred copies. Anyone want to hear more from Dryer, let me know.01. Back Off
02. Mint Chocolate Chunk
03. Chip
04. Green Paper
05. Test Case #212
06. I Can't Wait
07. Girlfriend
08. Nothing Again
09. Speed Queen
10. 1 + 2
Hear





