So you might be asking yourself, why in the world in an oddly-monikerd and almost thoroughly unknown outfit dubbed Neon Rock Garden occupying one of merely eight coveted Chanukah slots on Wilfully Obscure?
Truth be told, this Hickory, NC trio made their presence felt on these pages in 2012, by way of a fantastic 1986 7" I plundered off Ebay. Both cuts, "Never Listen" and "Don't Say Baboon" were incontrovertibly the best of both whirls, blending the utmost strengths of fellow NC natives Let's Active and early U2. A match made in noise-pop heaven as far as I was concerned, and when I learned of a cassette album, Perfect Sounds..., that was released in close proximity to the 45, I went on nothing short of a manhunt in obtaining said cartridge...or at the very least a reasonable facsimile thereof. It took three years and personal contact with virtually all NRg members, but my persistence paid off late last year when original Gardener Mike Cook, hooked me up will all ten MP3s composing Perfect Sounds, as well as scans of the accompanying artwork. The quest was fulfilled, and now I'm sharing the spoils with you.
As was the case with the "Never Listen" single, the tape was produced/recorded in it's entirety by Mitch Easter at his now fabled Drive-In Studio in Winston-Salem. For the trio (Gene Preble on gits and vocals, Tina Pinnix guitar, and Craig Delinger presumably manning the drum kit) the collaboration was a thoroughly appropriate one, given NRg's adoption and/or adaptation of the "New South" sound which skewed heavily to Easter's own troupe, Let's Active and period combos like Dreams So Real, Love Tractor, and Matthew Sweet's Buzz of Delight. The band's hometown of Hickory was nestled due west, halfway between Winston-Salem and Charlotte. In short, this threesome was in very good company, but t'was not to be for long, for after Perfect Sounds this Neon delight would go dark.
I could go on and on about Gene's dazzling arpeggios, or NRg's urgent but tempered pace, or for that matter the near-anthemic tenor of so many of their tunes, but I'll spare you any further deconstruction. Quite simply, this band emanated virtually everything I desire in music. And although this tape was likely to be heard by a few hundred local fans, I like to think NRg approached the Perfect Sounds sessions as if it was a full fledged album, not merely a glorified demo. Hope you concur. BTW, an earlier (not to mention a tad more vulgar) NRg tape has been made available for public consumption on YouTube.
02. Perfect Sounds
03. Big Shot
04. You Make Me
05. Only Child
06. Don't Say Baboon
08. Never Listen
09. Why Do You Hate?
10. 20th Century Nero
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