If I had to boil it down to one single artist that was the essence of Wilfully Obscure, it just might be Los Angeles' long-running Sugarplastic. With their wry, XTC-ish (a lazy and obvious comparison, I know) sensibilities and esoteric wit, the Ben Eshbach and Kiara Geller-helmed Sugarplastic are one of the most curious and intriguing "pop" bands to have ever snagged a major-label deal. It was 1996 when the 'plastic grasped for the brass ring, resulting in their sophomore album, and Geffen debut (and finale) Bang, The Earth is Round.
The four-cut Polly Brown single however, did not see any domestic release. From my keen observations, I estimate that no more than a few hundred copies made it to American shores, outdone by it's sheer scarcity only by the band's triple-7" box set on Pronto Records, and the "Sheep"/"Superball" 45, that was limited to a mere *gasp* 200 copies! Read 'em and weep. There are two LP tracks here, "Polly Brown" and "Another Myself," as well as "Where Dead Bullies Go," which previously saw the light of day on a Minty Fresh Records 7" (and later on a CD compilation). So, the real curiosity here is "Daisy May," that thus far hasn't appeared anywhere else, including the Sugarplastic's b-sides and outtakes Japanese import, Primitive Plastic. Now that's what I call quite rare.
Unless there are any objections, look forward to future Sugarplastic posts. I'll even take requests. Enjoy (or not).