Couple weeks ago I got a pretty hep request for Christmas' (the band) idiosyncratic debut In Excelsior Dayglo...and here it is. While I'm considerably partial to their much more developed sophomore disk, Ultraprophets..., (circa 1989) IED revels in it's own indigenous vibe - sometimes dissonant, occasionally challenging and always unscrupulously skewed. This Beantown co-ed trio, splits up vocal duties between string wrangler Michael Cudahy and drummer Liz Cox, the latter bearing no small resemblance to the B-52's Kate Pierson. Writ large, there isn't a pervasive pop angle to the record, and from a sonic standpoint Christmas remind me heavily of indie contemps Agitpop and Volcano Suns. To a lesser extent, the Pixies too, but that's a loose comparison at best. As mentioned, their next record proved to be more substantive, but there's no disputing that much like the holiday they nabbed their namesake from Christmas were indeed a singular and revealing entity. 01. Big Plans
02. Loved Ones
03. Boy's Town Work Song
04. True Solider of Love
05. Tommy the Truck
06. Girl Police
07. Dig We Must
08. Pee Wee
09. Everything You Know Is Wrong
10. Pumpkinhead
11. A Pig Amongst Men
12. The Hottest Sun
13. Fish Eye Sandwich
14. Junk
Hear
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